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'While flowing from the same, molten core of melody, songwriting craft and towering self-belief, Noel Gallagher’s High Flying Birds’ new album, Who Built The Moonalters the legendary singer-songwriter’s course following a bracing, two-year creative collaboration with renowned producer, DJ and composer, David Holmes. Released on Fri 24 November 2017 on Sour Mash, the keenly anticipated follow-up to the platinum-selling, Chasing Yesterday (2015). Bursting bubbles of perception, drilling dynamite into cracks between past and present and painting a daring portrait of the artist as a free man, Who Built The Moongathers vocalists and guest musicians from around the world to breathe life into 11-tracks finely poised between experimental and a jukebox of ageless influence. Meeting to work in Belfast and London, Gallagher and Holmes tuned into French psychedelic pop as much as classic electro, soul, rock, disco and dance on a cultured adventure into recorded sound.
If tracks blipping with ethereal, electronic experimentation and French spoken word start rumours of Gallagher’s restlessness, then instrumentals drifting with a latent, melancholic energy, inspired by European television soundtracks confirm them. Setting fire to familiarity, Gallagher wrote entirely in the studio for the first time, leaping into laboratory conditions and a cut and paste adventure with Holmes, turning his back, at least temporarily, on studied solitude and six strings. The studio door was left open for Paul Weller (organ on Holy Mountain) and Johnny Marr (guitar and harmonica on If Love Is The Law) to not only bear witness to, but make a mark on a pivotal moment in Gallagher’s ten studio album career.
The results are exhilarating. Setting the placid instrumentals and hypnotic, eastern-influenced grooves alongside gutsy balcony-shakers and widescreen, cinematic walls of sound, Who Built The Moonis an album for the apocalypse, comforting queasy listeners with shades of the Noel Gallagher they rely on, while taking the adventurous dancing with him into the flames.
David Holmes, Producer of Who Built The Moonsays: “People are going to be surprised. I think people love Noel and they’re desperate for him to make a really big, bold, up-tempo beast of a record a lot of Noel’s music is quite mid-tempo. This one is fun.”
How would Gallagher respond to control room commands to: “Stop ‘playing’ guitar!” and “Play me a guitar solo you can dance to!”Secure in the knowledge that the man challenging him had a vision to match his undimmed ambition, he entered the same, inventive space. The Man Who Built The Moon crystallises an outsider’s view of the partnership, flooded with lush orchestration and a sense of looming drama. It is the sound of an experienced songwriter supported by an accomplice similarly striving meticulously for perfection, as Gallagher reveals:
“We took a keyboard riff we liked from an unused track and added chords. A year later we came to deal with it as a song and when we got to the chorus, David kept asking me to write a new one….again and again and again. I was ready to strangle him. The one that you hear is the eighth attempt and, you know whatThe annoying thing is he was right.”
On blue-touch-paper track, Fort Knox, barely a note is sung by Gallagher, instead toying with euphoric incantations, while It’s A Beautiful World bubbles with progressive, ambient electronica. Black & White Sunshine’s 60s, psychedelic pop DNA canvasses for more traditionalist votes while Holy Mountain is a game of ‘spot the obscure sample’ amidst a joyous wall of sound. Symptomatic of the unhurried back and forth between him and Holmes, Gallagher says of the latter track:
“David played me the sample, so I worked out the chords and we demoed just a few, short minutes of it, taking it away on tour and playing with it. When it became a song back in Belfast it was so joyous, I just had to do it justice. What’s more joyous than being in love, babySo, I wrote a song about love and it’s one of the best things that I’ve ever done.”
虽然来自相同的，融化的核心旋律，歌曲创作工艺和高耸的自我信念，诺埃尔加拉格尔的高飞行鸟的新专辑，谁建造了月球？改变了传奇的歌手-词曲作者的课程，在一个振奋，两年的创造性合作与着名的制片人，DJ和作曲家，大卫·霍姆斯。2017年11月24日星期五发布，关于绍尔，对铂金销售的热切期待，追逐昨天(2015年)。
爆裂的感觉，在过去和现在的裂缝中钻了炸药，画了一幅大胆的艺术家的画像，作为一个自由的人，谁建造了月球？从世界各地的歌唱家和客座音乐家聚集到11个无损音乐专辑曲目，在实验和一个永恒的影响的点唱机之间微妙平衡的生活。在贝尔法斯特和伦敦的会议，加拉格尔和福尔摩斯参加了法国迷幻流行音乐，和经典的电子、灵魂、摇滚、迪斯科和舞蹈在一个有文化的冒险中录制的声音。
如果追踪blipping，电子实验和法语口语，开始谣传加拉格尔的不安，然后，乐器漂流与潜在的，忧郁的能量，受欧洲电视配乐的启发，证实了他们。为了熟悉熟悉，加拉格尔第一次在工作室里写下了自己的作品，跃入了实验室条件，并与福尔摩斯进行了一次剪切和粘贴的冒险，至少暂时把他的背部转向了研究的孤独和六根弦。工作室的门为保罗·韦勒(神圣的)和约翰尼·马尔(如果爱情是法律的话)打开了，不仅可以作证，而且在加拉格尔十张专辑职业生涯中的一个关键时刻留下了一个印记。结果令人兴奋。设置平静的乐器和催眠，东方影响的凹槽旁边有勇敢的阳台瓶和宽屏，电影的声音墙壁，谁建造了月亮？是一张《启示录》的专辑，安慰不安的听众与他们所依赖的诺埃尔加拉格尔的阴影，同时带着冒险的舞蹈与他一起进入火焰。
大卫·福尔摩斯，谁建造了月球？说:“人们会感到惊讶。”。我认为人们爱诺埃尔，他们迫切希望他创造一个真正的大，大胆，快节奏的野兽记录——许多诺埃尔的音乐是相当中期的节奏。这一个很有趣。"
加拉格尔如何回应控制室的命令:“停止”弹吉他！“和”玩我一个吉他独奏你可以跳舞！"在知识中，挑战他的人有一个与他的野心相匹配的远见，他进入了同样的，创造性的空间。建造月亮的人是一个局外人的伙伴关系的观点，充斥着郁郁葱葱的配器和一种隐约可见的戏剧感。这是一个有经验的歌曲作者的声音，由一个帮凶同样为完美的完美努力，正如加拉格尔揭示:“我们拿了一个键盘即兴重复，我们喜欢从一个未使用的轨道和添加和弦。一年后，我们来处理它，作为一首歌，当我们到合唱团，大卫一直要求我写一个新的…。又一次又一次。我准备掐死他。你听到的是第八次尝试，你知道吗？令人讨厌的是他是对的。“在蓝色触摸的轨道上，诺克斯堡，几乎没有一个音符由加拉格尔演唱，而是在玩弄着欢快的咒语，而这是一个充满进步的环境电子音乐的美丽的世界泡沫。黑色和白色的阳光60年代，迷幻流行DNA为更多的传统主义者拉票，而圣山是一个在欢乐的墙壁中“斑点模糊的样品”的游戏。在他和福尔摩斯之间悠闲的来回踱步的症状，加拉格尔说，后者的轨迹:“大卫扮演了我的样本，所以我做了和弦，我们演示了几分钟，短短的几分钟，带走了巡演和玩。当它成为一首在贝尔法斯特的歌曲，它是如此的喜悦，我只是必须做它正义。什么比恋爱更快乐，宝贝？所以，我写了一首关于爱情的歌，这是我做过的最好的事情之一。"
Tracklist:
01. Fort Knox
02. Holy Mountain
03. Keep On Reaching
04. It's A Beautiful World
05. She Taught Me How To Fly
06. Be Careful What You Wish For
07. Black & White Sunshine
08. Interlude (Wednesday Part 1)
09. If Love Is The Law
10. The Man Who Built The Moon
11. End Credits (Wednesday Part 2)
12. Dead In The Water (Live at RTé 2FM Studios, Dublin) [Bonus Track]
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