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古典音乐最大的作用就在于能够引人向上,给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容,无与伦比精致的技术结构,最经得起时间考验的华丽与高雅。 无损音乐下载类型:古典音乐下载,高品质古典音乐打包下载,无损古典音乐专辑免费下载。 古典音乐不但可以开发你的想象力,古典音乐还能提升你的艺术修养,最重要的是在当今浮躁的世界里, 唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后,才能从容不迫的面对世间一切纷扰,实现自我突破。 【RCA】阿尼亚·多尔夫曼(1899-1984) RCA唱片全集(9CDs) 作曲家:贝多芬、萧邦、梅诺蒂、门德尔松、格里格、舒曼、和柴可夫斯基 艺术家:Ania Dorfmann(1899-1984)钢琴阿尼亚·多尔夫曼 乐团:NBC交响乐团,NBC交响乐团及合唱团,费城戴尔管弦乐团。 指挥:阿尔图罗·托斯卡尼尼、Erich Leinsdorf 类型:经典 商标:RCA /索尼音乐 目录编号:88985390102 光盘数:9 发布日期:2017年7月7日 Ania Dorfmann(1899年7月9日–1984年4月21日)是一位俄裔美国钢琴家和教师,任教多年的纽约朱莉亚音乐学院,是第一个只有极少数女性钢琴家播放或记录下阿尔图罗·托斯卡尼尼。 有史以来第一个CD释放Ania Dorfmann的完整的RCA Victor录音从1939–1959。九张CD转移、混合和掌握从原来的模拟主盘和磁带使用24bit/192kHz技术。与阿尔图罗·托斯卡尼尼的合作包括她罕见的1939记录贝多芬的合唱幻想曲和贝多芬1945钢琴协奏曲。一个门德尔松的无词歌和罕见的柴可夫斯基件完整的周期,其中三个以前未发行的运动季节。传真唱片套和标签,以饱满的音乐唱片分类的笔记簿。 编辑点评: Ania Dorfmann是朱莉亚音乐学院的一位最受尊敬的钢琴教师。她相当的成就作为一个艺术家,然而,终于得到应有的一9-cd原套专辑收集包括她完成录音RCA维克多。 在这个版本中,Dorfmann的RCA唱片绝大多数是补发8光盘首次转让、混合和掌握从原来的模拟主盘和磁带,使用24位/ 192 kHz的技术。这些包括长期追求的珍品如她罕见的1939演唱的《合唱幻想曲》与阿尔图罗·托斯卡尼尼、贝多芬的“月光”和“路径é举世无双的“奏鸣曲,由格里格和门德尔松的协奏曲,舒曼的作品,萧邦和柴可夫斯基,以及门德尔松的无词歌的第一个完整的版本。显然,Dorfmann是第一位女钢琴独奏与阿尔图罗·托斯卡尼尼,和他们的历史1945工作室录制的贝多芬钢琴协奏曲1号标记的RCA钢琴家的关系的开始。 Composers: Beethoven, Chopin, Grieg, Menotti, Mendelssohn, Schumann, and Tchaikovsky Artist: Ania Dorfmann (1899-1984) piano 阿尼亚·多尔夫曼 Orchestra: NBC Symphony Orchestra, NBC Symphony Orchestra & Chorus, The Robin Hood Dell Orchestra Of Philadelphia Conductor: Arturo Toscanini, Erich Leinsdorf Genre: Classical Label: RCA Victor / Sony Music Catalogue No: 88985390102 Number of Discs: 9 Release Date: 7th Jul 2017 Ania Dorfmann (9 July 1899 – 21 April 1984) was a Russian-born American pianist and teacher, who taught at the Juilliard School in New York for many years and was the first of only a very few women pianists to play or record under Arturo Toscanini. The first ever CD release of Ania Dorfmann’s complete RCA Victor recordings from 1939–1959. Nine CDs transferred, mixed and mastered from the original analogue master discs and tapes using 24bit/192kHz technology. The collaborations with Arturo Toscanini include her rare 1939 recording of Beethoven’s Choral Fantasy and the 1945 Beethoven Piano Concerto No.1. A complete cycle of Mendelssohn’s Songs without Words and rare Tchaikovsky pieces, among them three previously unreleased movements from The Seasons. Facsimile LP sleeves and labels, booklet with full discographical notes. Editorial Reviews: Ania Dorfmann was one of the Juilliard School's most venerated piano teachers. Her considerable accomplishments as a recording artist, however, are finally receiving their due with a 9-CD original-jacket albums collection encompassing her complete recordings for RCA Victor. With this release, the vast majority of Dorfmann's RCA recordings are reissued on 8 compact discs for the first time, transferred, mixed and mastered from the original analogue master discs and tapes, using 24 bit / 192 kHz technology. These include long sought-after rarities such as her rare 1939 rendition of the "Choral Fantasy" with Arturo Toscanini, Beethoven's "Moonlight" and "Pathétique" Sonatas, concertos by Grieg and Mendelssohn, works of Schumann, Chopin and Tchaikovsky, and one of the first complete editions of Mendelssohn s Songs without Words. Apparently Dorfmann was the first female piano soloist to collaborate with Arturo Toscanini, and their historic 1945 studio recording of Beethoven's Piano Concerto No. 1 marked the start of the of the pianist's relationship with RCA. Reviews: 5.0 out of 5 stars Ania Dorfmann, charm and poetry. July 24, 2017 This nine CD set compiles all of Ania Dorfmann’s recordings for RCA. Never heard of Dorfmann? She never had the kind of stellar career like her RCA compatriots Rubinstein or Horowitz, and some of the recordings in this collection initially appeared on RCA’s budget sublabel, Bluebird Classics. But she was a fine pianist, as these recordings attest. Her career was curtailed in middle age by arthritis, although she continued to teach at Juilliard until ten months before her death in April of 1984. Too many pianists try to project Beethoven’s First Piano Concerto (which was really the Second) through the lens of the composer’s later works, forgetting that the Beethoven of this era conquered Vienna as a virtuoso pianist. Not so Dorfmann, whose performance of the concerto is close to ideal – although I suspect that Toscanini had much to do with the overall interpretation. Tempos are crisp and the pianistic approach is decidedly virtuosic, particularly in the cadenza – Dorfmann plays the large one. Also included is Beethoven’s Choral Fantasy – the only time Toscanini ever programmed the work during his 68 year career. Dorfmann’s rendition of the introduction reminds one of Beethoven’s legendary improvisations. Absolutely thrilling. In both works, Toscanini and the NBC Symphony provide their usual combination of dynamism and clarity. Beethoven’s Moonlight and Pathetique Sonatas are given straightforward performances that mostly fall within interpretive norms. The only outlier is the Pathetique’s opening movement where Dorfmann repeats the Grave section, instead of beginning again at the movement proper. Serkin took the same approach. (Frankly, I don’t have strong feelings about it either way.) 3.0 out of 5 stars Some very good, some average playing. December 17, 2017 In terms of repertoire, the CDs cover a limited range of composer: Beethoven, Chopin, Grieg, Menotti (only 1 medium size piece), Mendelssohn, Schumann, and Tchaikovsky. The composer that Dorfmann possesses the most affininity in the 9-CD Is R. Schumann. Even though I (as a concert pianist) don't agree with everything she does on the Schumann's Canival, she owns that piece. Everything is there: technique, interpretation, musicality, authority... The composer that Dorfmann possesses the least affinity is Beethoven. Of course, Toscanini might have a strong influence on the "way too fast" tempo Dorfman took on the Beethoven First Piano Concerto. Her Moonlight Sonata is practically colorless if you compare the first movement to both Horowitz's studio and live recording. The Chopin's waltz lacks the charm as well comparing to Rubinstein, Cortot, Darre, and Paderewski. Her Mendelssohn's complete "Songs Without Words" and Tchaikovsky's "Album's for the Young" and selections from "The Season" are all well played, but un-revelatory. To be honest, before I ordered this boxset, I had not heard one note by Dorfmann. Like some of the great bygone pianists, I was looking forward to hearing a pianist with a unique piano tone (like Cortot, Gieseking, Edwin Fischer, Wilhelm Kempff, etc.) and authoritative interpretations on some composers. Unfortunately, my expectations are not well met. 5.0 out of 5 stars A rich treasury made available once again! August 23, 2017 "Ania Dorfmann: The Complete RCA Album Collection" is a rich treasury of very fine recorded performances, made available again through the process of digital restoration. Thank you, Sony, for reaching into the archives to allow a new generation of listeners to hear for themselves what a fine artist Ania Dorfmann was. The remastering of Beethoven's Piano Concerto No. 1 sounds better than previous vinyl and CD reissues of the original 1945 recording. Tracklist: CD1 Ludwig van Beethoven (1770-1827) Piano Concerto n° 1 in C Major, Op. 15 1 I. Allegro con brio 14:15 2 II. Largo 9:34 3 III. Rondo. Allegro scherzando 8:06 Fantasia for Piano, Chorus, and Orchestra "Choral Fantasy", Op. 80 4 Adagio 2:56 5 Finale. Allegro 3:58 6 Allegro molto 1:46 7 Adagio, ma non troppo 1:56 8 Marcia, assai vivace - Allegro 1:59 9 Allegretto, ma non troppo (quasi Andante con moto) 3:38 "Schmeichelnd hold und lieblich klingen" - Presto Franz Liszt (1811-1886) 10 études de concert, S.144. N° 3. Un Sospiro 5:16 Robert Schumann (1810-1856) Fantasiestücke, Op. 12 11 N° 2. Aufschwung. Sehr rasch 3:15 12 N° 3. Warum ? Langsam und zart 2:39 13 N° 4. Grillen. Mit Humor 2:15 14 N° 7. Traumes Wirren. ?u?ert lebhaft 2:39 Ludwig van Beethoven (1770-1827) 15 6 Ecossaises for Piano, WoO 83 2:12 Felix Mendelssohn (1809-1847) 16 Rondo Capriccioso in E Major, Op. 14 6:00 Andante - Presto Ania Dorfmann - piano Westminster Choir [# 4-9] NBC Symphony Orchestra / Arturo Toscanini - dir. [1-9] Recorded at Carnegie Hall, New York City ; August 9, 1945 [#1-3] ; December 2, 1939 [# 4-9] ; RCA Victor Studios n° 2, New York City ; January 17, 1947 [# 10 & 11] ; RCA Victor Studios n° 2 & 6, New York City ; November 26, 1947 [# 12-16] CD2 Ludwig van Beethoven (1770-1827) Piano Sonata n° 14 in C-Sharp Minor, Op. 27, n° 2 "Moonlight" 1 I. Adagio sostenuto - attacca 7:21 2 II. Allegretto - Trio - attacca 2:15 3 III. Presto agitato 7:15 Piano Sonata n° 8 in C Minor, Op. 13 "Pathétique" 4 I. Grave - Allegro di molto e con brio 10:18 5 II. Adagio cantabile 6:09 6 III. Rondo. Allegro 4:13 Recorded at Town Hall, New York City ; July 22, [# 1-3] & June 23 [# 4-6], 1952 CD3 Frédéric Chopin (1810-1849) 1 Waltz n° 1 in E-Flat Major "Grande valse brillante", Op. 18. Vivo 4:55 2 Waltz n° 9 in A-Flat Major "L'Adieu", Op. posth. 69, n° 1. Lento 4:35 3 Waltz n° 6 in D-Flat Major "Minute Waltz", Op. 64, n° 1. Molto vivace 1:46 4 Waltz n° 8 in A-Flat Major, Op. 64, n° 3. Moderato 2:51 5 Waltz n° 11 in F-Flat Major, Op. 70, n° 1. Molto vivace 1:58 6 Waltz n° 12 in F Minor, Op. 70, n° 2. Tempo guisto 2:40 7 Waltz n° 5 in A-Flat Major "Grand valse", Op. 42 3:45 8 Waltz n° 10 in B Minor, Op. posth. 69, n° 2. Moderato 3:21 9 Waltz n° 4 in F Major "Grande valse brillante", Op. 34, n° 3. Vivace 2:04 10 Waltz n° 3 in A Minor "Grande valse brillante" Op. 34, n° 2. Lento 4:56 11 Waltz n° 2 in A-Flat Major "Grande valse brillante", Op. 64, n° 2. Vivace 4:37 12 Waltz n° 7 in C-Sharp Minor, Op. 64, n° 2. Tempo giusto 3:07 13 Waltz n° 13 in D-Flat Major, Op. 70, n° 3. Moderato 2:33 14 Waltz n° 14 in E Minor, Op. posth. Vivace 2:35 Recorded at Town Hall, New York City ; February 26, [# 1, 3, 7 & 11] ; April 21 [# 2, 5, 6, 8, 10 & 12] ; & May 13 [# 4, 9, 13 & 14], 1953 CD4 Edvard Grieg (1843-1907) Piano Concerto in A Minor, Op. 16 1 I. Allegro molto moderato 11:55 2 II. Adagio - attacca 5:54 3 III. Allegro moderato molto e marcato - Quasi Presto - 9:49 Andante maestoso Felix Mendelssohn (1809-1847) Piano Concerto n° 1 in G Minor, Op. 25 4 I. Molto allegro con fuoco 7:19 5 II. Andante 5:26 6 III. Presto - Molto Allegro e vivace 6:17 Ania Dorfmann - piano The Robin Hood Dell Orchestra Of Philadelphia / Erich Leinsdorf Recorded at Academy of Music, Philadelphia ; July 8, [# 1-3] ; & July 7 [# 4-6], 1953 CD5 Robert Schumann (1810-1856) 1 Papillons, Op. 2 11:46 Introduzione. Moderato - N° 1 - N° 2. Prestissimo - N° 3 - N° 4. Presto - N° 5 - N° 6 - N 7. Semplice - N° 8 - N° 9. Prestissimo - N° 10. Vivo - N° 11 - ° 12. Finale Felix Mendelssohn (1809-1847) 2 Andante and Rondo Capriccioso in E Major, Op. 14 6:41 3 Lied one Worte (Book 5), Op. 62, n° 1. Andante espressivo in G major "May Breezes" 3:18 4 Lied one Worte (Book 6), Op. 67, n° 4. Presto in C Major “Spinner’s Song” 1:46 Frédéric Chopin (1810-1849) 3 Ecossaises, Op. 72, n° 3 5 N° 1 in D Major. Vivace 0:47 6 N° 2 in G Major 0:38 7 N° 3 in D-Flat Maor 0:35 Franz Liszt (1811-1886) 8 Un Sospiro (from 3 études de concert), S.144, n° 3 5:32 Maurice Ravel (1875-1937) Sonatine 9 I. Modéré 3:57 10 II. Mouvement de Menuet 2:28 11 III. Animé 3:45 Gian Carlo Menotti (1911-2007) 12 Ricercare and Toccata on a Theme from "The Old Maid and the Thief" 6:18 (dedicated to Ania Dorfmann) Recorded at Town Hall, New York City ; January 3, 1952 [# 1, 5, 7, 9-12] ; & January 12 & 13, 1953 [# 2-4 & 8] CD6 Piotr Ilyitch Tchaikovsky (1840-1893) Album for the Young, Op. 39 1 N° 1. Morning Prayer 1:12 2 N° 2. Winter Morning 1:17 3 N° 3. Playing Hobby-Horses 0:35 4 N° 4. Mama 1:06 5 N° 5. March of the Wooden Soldiers 0:52 6 N° 6. The Sick Doll 1:35 7 N° 7. The Doll's Funeral 1:56 8 N° 8. Waltz 1:06 9 N° 9. The New Doll 0:29 10 N° 10. Mazurka 0:50 11 N° 11. Russian Song 0:36 12 N° 12. The Peasant Plays the Accordion 0:29 13 N° 13. Kamarinskaya 0:28 14 N° 14. Polka 0:40 15 N° 15. Italian Song 0:45 16 N° 16. Old French Song 0:50 17 N° 17. German Song 0:51 18 N° 18. Neapolitan Song 1:01 19 N° 19. The Nurse's Tale 0:41 20 N° 20. The Witch 0:38 21 N° 21. Sweet Deams 1:38 22 N° 22. Song of the Lark 0:44 23 N° 23. The Hurdy-Gurdy Man 0:47 24 N° 24. In Church 3:15 Robert Schumann (1810-1856) Klavieralbum für die Jugend, Op. 68 25 N° 2. Soldatenmarsch 0:33 26 N° 6. Armes Waisenkind 1:46 27 N° 7. J?gerliedchen 1:01 28 N° 8. Wilder Reiter 0:32 29 N° 10. Fr?hlicher Landmann 0:43 30 N° 12 Knecht Ruprecht 1:43 31 N° 16. Erster Verlust 1:13 Piotr Ilyitch Tchaikovsky (1840-1893) The Seasons, Op. 37a 32 N° 2. February. Carnival 2:44 33 N° 3. March. Song of the Lark 1:54 34 N° 4. April. Snowdrops 2:49 35 N° 6. June. Barcarolle 4:38 36 N° 8. August. Harvest Song 3:22 37 N° 10. October. Song of Autumn 3:33 38 N° 11. November. In a Troika 2:49 39 N° 12. December. Christmas 3:32 Recorded at Town Hall, New York City ; April 12 [# 1-24] & June 8 [# 25-39], 1954 CD7 Felix Mendelssohn (1809-1847) Lieder ohne Worte Book 1, Op. 19b 1 N° 1 in E major. Andante con moto 4:08 2 N° 2 in A minor. Andante espressivo 2:36 3 N° 3 in A major. Molto allegro e vivace 2:22 "J?gerlied" 4 N° 4 in A major. Moderato 2:06 5 N° 5 in F-Sharp minor. Agitato 2:58 6 N° 6 in G minor. Andante sostenuto 2:27 "Venezianisches Gondellied" Book 2, Op. 30 7 N° 1 in E-Flat major. Andante espressivo 5:08 8 N° 2 in B-Flat minor. Allegro di molto 2:03 9 N° 3 in E major. Adagio non troppo 2:23 10 N° 4 in B minor. Agitato e con fuoco 2:51 11 N° 5 in D major. Andante grazioso 1:58 12 N° 6 in F-Sharp minor. Allegretto tranquillo 3:15 "Venezianisches Gondellied" Book 3, Op. 38 13 N° 1 in E-Flat major. Con moto 2:18 14 N° 2 in C minor. Allegro non troppo 2:22 15 N° 3 in E major. Presto e molto vivace 2:13 16 N° 4 in A major. Andante 2:32 17 N° 5 in A minor. Agitato 2:18 18 N° 6 in A-Flat major. Andante con moto 2:47 "Duetto" Book 4, Op. 53 19 N° 1 in A-Flat major. Andante con moto 2:55 20 N° 2 in E-Flat major. Allegro non troppo 2:19 21 N° 3 in G minor. Presto agitato 2:25 22 N° 4 in F major. Adagio 3:38 "Abendlied" 23 N° 5 in A minor. Allegro con fuoco 2:51 "Volkslied" 24 N° 6 in A major. Molto allegro vivace 2:40 Recorded a Town Hal, New York City ; [# 1-6] ; dates unknown [# 7-21] : Webster Hall, New York City ; October 12 [# 22 & 23], 14 [# 23 & 24] & 27 # 22-24], 1955 ; November 15, 1955 [# 22] CD8 Felix Mendelssohn (1809-1847) Lieder ohne Worte Book 5, Op. 62 1 N° 1 in G major. Andante espressivo 3:19 "Mailüfte" 2 N° 2 in B-Flat major. Allegro con fuoco 1:56 3 N° 3 in E minor. Andante maestoso 3:11 "Trauermarsch" 4 N° 4 in G major. Allegro con anima 1:29 5 N° 5 in A minor. Andante con moto 2:55 "Venezianisches Gondellied" 6 N° 6 in A major. Allegretto grazioso 2:21 "Frühlingslied" Book 6, Op. 67 7 N° 1 in E-Flat major. Andante 3:11 8 N° 2 in F-Sharp minor. Allegro leggiero 1:53 9 N° 3 in B-Flat major. Andante tranquillo 3:09 10 N° 4 in C major. Presto 1:47 "Spinnerlied" 11 N° 5 in B minor. Moderato 2:15 12 N° 6 in E major. Allegro e non troppo 2:21 Book 7, Op. 85 13 N° 1 in F major. Andante espressivo 2:53 14 N° 2 in A minor. Allegro agitato 0:51 15 N° 3 in E-Flat major. Presto 1:48 16 N° 4 in D major. Andante sostenuto 2:50 17 N° 5 in A major. Allegretto 2:15 18 N° 6 in B-Flat major. Allegretto con moto 2:12 Book 8, Op. 102 19 N° 1 in E minor. Andante un poco agitato 3:09 20 N° 2 in D major. Adagio 2:08 21 N° 3 in C major. Presto 1:22 22 N° 4 in G minor. Un poco agitato, ma andante 3:12 23 N° 5 in A major. Allegro vivace 1:12 "Kinderstück" 24 N° 6 in C major. Andante 1:58 25 Gondellied in A Minor. Barcarolle. Allegretto, non troppo 1:59 Recorded at Webster Hall, New York City ; October 12 [# 1-3 & 6-8], 14 [# 2, -4, 8, 10 & 12], 1955 ; November 15 [# 12-16, 20-22] & 16 [# 12, 15-18, 23 & 24], 1955 ; & December 22 [# 3, 6, 7, 16, 18 & 25] & 20 [# 15, 18, 19 & 23-25], 1955 CD9 Robert Schumann (1810-1856) Carnaval, Op. 9 Scènes mignonnes sur quatre notes 1 Préambule. Quasi maestoso - Più moto - Animato - Vivo - Presto 2:32 2 Pierrot. Moderato 1:08 3 Arlequin. Vivo 1:08 4 Valse noble. Un poco maestoso 1:21 5 Eusebius. Adagio 1:45 6 Florestan. Passionato 0:53 7 Coquette. Vivo 1:07 8 Répliques. L'istesso tempo - (Sphinxes, n° 1-3) 0:49 9 Papillons. Prestissimo 0:46 10 A.S.C.H. - S.C.H.A (Lettres dansantes). Presto 0:44 11 Chiarina. Passionato 1:02 12 Chopin. Agitato 1:44 13 Estrella. Con affetto 0:25 14 Reconnaissance. Animato 1:37 15 Pantalon et Colombine. Presto 1:01 16 Valse allemande. Molto vivace 0:53 17 Paganini. Intermezzo. Presto 1:23 18 Aveu. Passionato 1:04 19 Promenade. Comodo 2:01 20 Pause. Vivo 0:20 21 Marche des "Davidsbündler" contre les Philistins. Non allegro - Molto più vivo - Animato - Vivo - Animato molto -Vivo - Più Stretto 3:56 Fantasiestücke, Op. 12 22 N° 1. Des Abends. Sehr innig zu spielen 5:13 23 N° 2. Aufschwung. Sehr rasch 3:11 24 N° 3. Warum ? Langsam und Zart 3:12 25 N° 4. Grillen. Mit Humor 3:12 26 N° 5. In der Nacht. Mit Leidenschaft 3:56 27 N° 6. Fabel. Lagsam - Schnell 2:35 28 N° 7. Traumes Wirren. ?u?ert lebhaft 2:32 29 N° 8. Ende vom Lied. Mit gutem Humor 4:29 专辑曲目: CD1 路德维希·凡·贝多芬(1770-1827) 大调第N钢琴协奏曲1,Op. 15 1、快板14:15 2 II。拉戈9:34 3 III. Rondo。那些诙谐的快板 钢琴、合唱和管弦乐队“合唱幻想曲”幻想曲,Op. 80 4 2:56柔板 5大结局。凌晨3点58分快板 6很快的快板1:46 7乐章,不太快的快板1:56 8玛西亚,极活泼的快板- Allegro 1:59 9乐章,不太快的快板(准行板)3:38 “schmeichelnd持有和Lieblich歌”-急板 弗朗茨·李斯特(1811-1886) 10é管德演唱会,s.144。N°3。Un Sospiro 5:16 舒曼(1810-1856) fantasiestüCKE,Op. 12 11 N°2。Aufschwung。Sehr rasch 15 12 N°3。为什么?Langsam und zart 2:39 13 N°4。Grillen。麻省理工的幽默2:15 14 N°7。Traumes Wirren。?U?ERT lebhaft 2:39 路德维希·凡·贝多芬(1770-1827) 15 6苏格兰钢琴,宇83 2:12 Felix Mendelssohn(1809-1847) 16 Rondo Capriccioso E大调,作品14,6 行板乐章 Ania多夫曼钢琴 西敏合唱[ # 4-9 ] NBC交响乐团/阿图罗托斯卡尼尼-目录。[ 1 ] 记录在卡耐基音乐厅,纽约;1945年8月9日[ # 1-3 ];1939年12月2日[ # 4-9 ];RCA维克多工作室N°2,纽约;1947年1月17日[ 10和11 ] #;RCA维克多工作室N°2 & 6,纽约;1947年11月26日[ # 12-16 ] CD2 路德维希·凡·贝多芬(1770-1827) 钢琴奏鸣曲,升C小调°14,Op. 27,N°2“月光” 1、持续的柔板-紧接7:21 2 II。小快板三重奏-紧接2:15 3 III. Presto agitato 7:15 钢琴奏鸣曲N°8 C小调,作品13“路径é公司” 4我的坟墓-极快的快板E CON BRIO 10:18 5 II。如歌的柔板6:09 6 III. Rondo。快板4:13 在市政厅,纽约记录;7月22日,[ # 1-3 ]和6月23日[ # 4-6 ],1952 CD3 FRéDéRic萧邦(1810-1849) 1圆舞曲N°1号降E大调“大华丽圆舞曲,作品18。体内的55 2圆舞曲N°9降A大调“l'adieu”,Op. posth。69,n°1。Lento 4:35 3圆舞曲n°6,大调《分钟华尔兹》,Op. 64,N°1。活泼的快板1:46 4°降A大调圆舞曲,8,Op. 64,N°3。中速2:51 5圆舞曲N°11 F大调大,Op. 70,N°1。活泼的快板1:58 6圆舞曲N小调12°,Op. 70,N°2。Tempo guisto 2:40 7圆舞曲N°5降A大调大圆舞曲”,作品42 3:45 8圆舞曲N°10 B小调,Op. posth。69,n°2。中速3:21 9圆舞曲N°4 F大调“大华丽圆舞曲”,Op. 34,N°3。Vivace 2:04 10圆舞曲N°3小调“大华丽圆舞曲》作品34,N°2。Lento 4:56 11圆舞曲N°2降A大调“大华丽圆舞曲”,Op. 64,N°2。Vivace 4:37 12°升C小调华尔兹N 7,Op. 64,N°2。Tempo giusto 3:07 13°降D大调圆舞曲,13,Op. 70,N°3。中速2:33 14°华尔兹N 14 E小调,Op. posth。Vivace 2 在市政厅,纽约记录;2月26日,[ 1, 3, 7和11 ] #;4月21日[ # 2, 5, 6、8, 10、12和5月13日# ];[ 4, 9, 13和14 ],1953 CD4 爱德华·格里格(18431907) 小调钢琴协奏曲,Op. 16 1我很中庸的快板11:55 2 II。柔板-紧接5:54 3、加强的极中庸的快板-急板-准9:49 庄严的行板 Felix Mendelssohn(1809-1847) G小调第1钢琴协奏曲,Op. 25 4我非常热烈的快板7:19 5 II。Andante 5:26 6急板-快板Vivace 6:17 E Ania多夫曼钢琴 罗宾汉戴尔费城管弦乐团/ Erich Leinsdorf 记录在音乐学院,费城;7月8日,[ # 1-3 ];7月7日[ # 4-6 ],1953 CD5 舒曼(1810-1856) 1蝴蝶,作品2 11:46 Introduzione。中板- N 1 N 2°°。Prestissimo— n°3°n 4。急板- N°5 N 6 N 7°。Semplice - n°8°n 9。最急板- N°10。活体- N°11°12。终曲 Felix Mendelssohn(1809-1847) E大调行板和2 Rondo Capriccioso作品14差速器 3撒谎一写(书5),Op. 62,N°1。富有表情的行板G大调”和“3:18 4撒谎一写(书6),Op. 67,N°4。Presto C大调《飞旋的歌“1:46 FRéDéRic萧邦(1810-1849) 3苏格兰,Op. 72,N°3 大调5 N°1。Vivace 0点47分 6 N°2 G大调0:38 7 N°3 D大调MAOR 0:35 弗朗茨·李斯特(1811-1886) 8 Un Sospiro(3é管演唱会),s.144,N°3 5:32 拉威尔(1875-1937) 小奏鸣曲 9、国防部éRé3:57 10 II。Mouvement de Menuet 2:28 11、动物é3:45 Gian Carlo Menotti(1911-2007) 12寻求曲与托卡塔一主题从“老女仆和小偷“6:18 (献给Ania Dorfmann) 在市政厅,纽约记录;1952年1月3日[ # 1, 5, 7,9-12 ];1月12日13, 1953 [ # 2-4和8 ] 高品质古典音乐下载无损音乐发烧友必备。 Lossless Classical Music 无损音乐格式古典音乐打包下载: 整张古典音乐专辑全部为高品质无损音乐,古典音乐打包下载回复可见。 享乐音乐论坛-为高品质无损音乐而生!享受音乐,分享快乐!尽在享乐音乐网。 专业提供无损音乐格式的古典音乐下载,西方古典音乐合集资源打包下载,高品质无损古典音乐下载免费网站。 古典音乐打包免费下载网站,内容由网友分享仅供学习交流之用,版权归唱片公司所有,不可用于商业盈利用途,否则一切后果自行承担!
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