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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
High Resolution Audio Hi-Res极品高品质无损音乐，Hires高解析度音频器材发烧友们的最爱。
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古典音乐是门精致的艺术，不但可以开发你的想象力，还能提升你的艺术修养，在当今浮躁的世界里，唯有古典音乐能还你一颗平静的心。
Veress: String Trio - Bartók: Piano Quintet[HiRes/24Bit/96kHz]
韦雷斯弦乐三重奏/巴托克钢琴五重奏 Veress String Trio The Lossless Classical Hires Album[24/96]
专辑名:韦雷斯弦乐三重奏/巴托克钢琴五重奏（Veress String Trio Bartok Piano Quintet HiRes）
表演者:Nicolas Altstaedt, Vilde Frang, Lawrence Power, Barnabás Kelemen, Alexander Lonquich
专辑类型: 古典音乐高解析度HIRES专辑
发行时间: 2019-08-30
唱片公司: 索尼精选音乐/Sony Classical
无损音乐验证：HiRes音源百分百保真
详细参数：Hi-Res | FLAC | 96kHz/24bit
数据存储: 百度云加密存储|已备份|永久有效
最强音质高解析度音频 - HiRes/FLAC分轨 - 索尼精选Hi-Res
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古典音乐打包下载 - Classical Music HiRes - 高品质无损音乐格式古典音乐下载
最强音质高解析度音频 - Hires无损音乐专辑介绍：
Veress String Trio Sony HiRes 古典音乐索尼精选《 Veress String Trio Bartok Piano Quintet HiRes Music》[HiRes/24Bit/96kHz]@享乐音乐网 xlebbs.com
桑多·韦雷斯（Sándor Veress 1907-1992）匈牙利裔瑞士作曲家,2020年《留声机》唱片室内乐大奖,“留声机奖”由英国《留声机》杂志在 1977 年创办，它是古典音乐界最重要的年度奖项之一，被称为“古典音乐的奥斯卡”。每年《留声机》杂志都会举办颁奖典礼，以表彰古典音乐中最优秀的艺术家、作品和唱片。
If you pan back to 1954 in search of the year’s finest music, Vaughan Williams’s Tuba Concerto and Lutosławski’s Concerto for Orchestra are among the best-known highlights. But what about Sándor Veress’s only String Trio? It flirts with atonality much as Alban Berg did, except that, whereas Berg echoed Mahlerian expressionism, with Veress experimentation encircles Hungarian folk music. Even the Trio’s slow-fast binary form recalls the rhapsodies of Liszt and Bartók, though music near the start of the second section recalls the firefly Scherzo from Prokofiev’s Third Symphony (here Frang and her colleagues really do play up the resemblance – whether consciously or not I couldn’t tell you).
The level of invention is startling throughout, with the players being instructed to rap on the bodies of the instruments with their knuckles. The principal rhythmic ‘riff’ appears in various guises, bowed, plucked and drummed. But what’s most amazing is the work’s high level of concentration: although a mere 20 minutes in length, by the time you’re through with it you feel as if you’ve experienced an entire Mahler symphony. So much is said, so many varied sounds shared between three. The only work I can think of that has a similar effect is by Veress’s principal creative guide, Bartók, his Third Quartet. I’d say with some degree of confidence that this Trio approaches that same level of attainment, vying with Schoenberg’s Trio in its profound effect, while Vilde Frang, Lawrence Power and Nicolas Altstaedt grant it a superb performance, the best I’ve yet heard in fact.
Memorable rival recordings include members of the Merel Quartet (Cybèle Records), which, though well played, isn’t on quite on the same level, while Ensemble Equilibres (Hungaroton) underline the work’s Bartókian roots. Neither threatens the supremacy of Frang et al, though it’s useful to know that both are programmed in the context of other chamber works by Veress.
Bartók’s Piano Quintet, a product of 1903 and an altogether more modest affair, summons Brahms and Strauss as obvious influences. The composer was in his early twenties when he wrote the work but a couple of decades later, when he performed it as part of a programme including more characteristic pieces, Bartók was incensed by audience members who rated the Quintet highest of all. He even hurled the score to the ground in disgust and was thought to have destroyed it, though fortunately for us the Quintet, an enjoyable piece by any standards, survived his anger. At times the brooding Adagio suggests Bluebeard’s shadow before giving way to the temperamental finale, which accelerates gypsy-style (the principal theme harbours a sure reference to Brahms’s Zigeunerlieder), and surveying numerous expressive techniques and tempo changes, including a trim fughetta. Barnabás Kelemen and friends keep the camp fires alight with playing that is both intense and dynamic, whereas the slower music has a dreamily rhapsodising quality about it.
Runners-up on CD include Jenő Jandó with the Kodály Quartet (Naxos, 10/95), a good performance though nowhere near as vivid or fiery as the performance under review. Nor does Hungaroton’s worthy recording with Csilla Szabó and the Tatrai Quartet prove a formidable contender. So I think it fair to say that Kelemen, Frang, Katalin Kokas, Altstaedt and Alexander Lonquich sell this lovable product of youthful creative excess more securely than any of their predecessors on disc, certainly any that I have encountered. But what makes this CD unmissable is the Veress Trio, a masterpiece and a performance to match. I’ve already pencilled it in as a potential contender for next year’s Gramophone Awards. The annotation is excellent, including a fine essay on the Trio by Sándor’s son Claudio, also a composer.
最强音质高解析度音频 - 索尼Hires无损音乐曲目表：
Veress String Trio Hires:韦雷斯弦乐三重奏/巴托克钢琴五重奏音源 24/96索尼精选Hi-Res
01.String Trio: I. Andante
02.String Trio: II. Allegro molto
03.Piano Quintet in C major, SZ.23: I. Andante
04.Piano Quintet in C major, SZ.23: II. Vivace. Scherzando
05.Piano Quintet in C major, SZ.23: III. Adagio
06.Piano Quintet in C major, SZ.23: IV. Poco a poco più vivace
Hi-Res高解析度音频试听音乐介绍
Vilde Frang - Piano Quintet in C Major, SZ.23: I. Andante 320K-MP3音乐品质，索尼精选Hires高解析度音源十倍于此音质。
桑多韦雷斯高解析度音源《韦雷斯弦乐三重奏/巴托克钢琴五重奏索尼精选Hi-Res》Veress String Trio Bartok Piano Quintet Hires[24/96]@享乐音乐网 xlebbs.com
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 01.String Trio: I. Andante.flac
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 02.String Trio: II. Allegro molto.flac
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 03.Piano Quintet in C major, SZ.23: I. Andante.flac
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 04.Piano Quintet in C major, SZ.23: II. Vivace. Scherzando.flac
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 05.Piano Quintet in C major, SZ.23: III. Adagio.flac
│ │ 韦雷斯弦乐三重奏/巴托克钢琴五重奏HiRes Veress String Trio Bartok Piano Quintet 24Bit/96kHz - 06.Piano Quintet in C major, SZ.23: IV. Poco a poco più vivace.flac
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