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古典音乐是门精致的艺术，不但可以开发你的想象力，还能提升你的艺术修养，在当今浮躁的世界里，唯有古典音乐能还你一颗平静的心。
柴可夫斯基钢琴小品精选集 Tschaikowsky Piano Pieces 无损古典音乐下载
音乐专辑：柴可夫斯基钢琴小品精选集：Tschaikowsky Piano Pieces
艺术家: Tschaikowsky / Sviatoslav Richter
专辑发行：2003-10-19
发行厂牌：Sony Classical
无损音乐验证：官方百分百保真
数据存储: 百度云网盘多线加密存储
资源类型：WAV格式高品质无损音乐 - WAV/wav整轨 - 无损古典音乐资源
享乐音乐网：享受音乐，分享快乐！- 享乐音乐为最强音质古典无损音乐而生~
古典音乐打包下载 - Lossless Classical Music - 高品质无损音乐格式古典音乐下载
古典高品质无损音乐 - 古典音乐专辑介绍：
柴可夫斯基（1840 -1893）创作了大量钢琴作品。这些组合物旨在用于特定目的并在某些环境中进行。第一钢琴协奏曲等作品是为大型音乐厅创作的，以庆祝俄罗斯历史的庄严时刻并统一民族精神。缩影通常是在家里，朋友和家人的圈子里表演的。它们是许多俄罗斯较富裕家庭的隐私和舒适感的象征，并反映了其19世纪的生活方式。尽管柴可夫斯基的钢琴缩影主要针对贵族和富裕的乡亲，但他的音乐却对所有人都有影响。音乐亲切而真诚，音乐丰富，演奏简单，对于作曲家来说非常受欢迎。
这张专辑结合了Op的柴可夫斯基钢琴缩影。
5、7、10、19、40、51和 72。Sviatoslav Richter（1915-1997）是20世纪最伟大的钢琴家之一，出生于乌克兰的日托米尔，是一个音乐家家庭。他的才华从很小的时候就受到了认可和鼓励。里希特人很快从日托米尔搬到乌克兰南部的敖德萨，敖德萨。西维亚托斯拉夫（Sviatoslav）的父亲西奥菲尔·里希特（Theophil Richter）是
敖德萨音乐学院的教授 。大卫·奥伊斯特拉赫（David Oistrakh）和埃米尔·吉尔斯（Emil Gilels）在同一时间和同一城市居住。里希特八岁时就开始演奏瓦格纳的歌剧乐谱，十九岁时他举行了他的第一场个人钢琴音乐会。
我们经常听到有关Richter的有趣的事情。例如，当他22岁的里希特（Richter）第一次在莫斯科遇见海因里希·诺伊豪斯（Heinrich Neuhaus）时，他的钢琴家发展就开始了。实际上，当纽豪斯（Neuhaus）听里希特（Richter）的演奏时，他说他没有什么可以教他的。里希特已经是一位出色的钢琴家了，他从未通过考试进入莫斯科
音乐学院学习。纽豪斯听完他的演奏后，他未经考试就被录取。我们能想象在我们的州立音乐学校发生同样的情况吗？这些州音乐学校仅收取100美元的申请费，而作曲家和表演者是由会计师根据填表而不是个人灵感和经验来评估的？实际上，诺伊豪斯（Neuhaus）知道真正的文凭是在天堂发行的。
里希特（Richter）在1945年的全联盟比赛中获胜，并在1949年被授予斯大林奖。作为1958年第一届柴可夫斯基比赛的陪审员，他给范·克里本（满分10分）得了100分。
共产主义政权使苏联艺术家受到了短暂的束缚，这是有原因的。苏联艺术家常常选择不回来。里希特第一次被允许越过西方边界是在1960年底。那是他在埃里希·莱因斯多夫（Erich Leinsdorf）指挥的勃拉姆斯第二协奏曲在美国的首次亮相。之后，里希特（Richter）在卡内基音乐厅（Carnegie Hall）进行了十天的七场独奏音乐会。他成为了一个非常忙碌的表演者。但是，他也因在最后一刻取消表演而出名。他试图避免乘飞机旅行。一个旅行的钢琴演奏家的疲惫生活不是他
喝杯茶。
里希特更喜欢留在法国和德国。法国图尔周围的环境使他想起了芝托米尔。1964年，里希特（Richter）在梅斯莱（Meslay）创立了一年一度的音乐节-“图阿琴音乐节”。他还建立了每年十二月在莫斯科普希金造型艺术博物馆举办的十二月之夜节。
里希特的曲目非常丰富，尽管他演奏的音乐是非常有意识地选择的。除了基本的钢琴曲目外，他还喜欢演奏舒伯特和海顿的奏鸣曲，这引起了观众的喜悦。随着时间的流逝，Richter的解释变得越来越僵化和拘束，尽管每个作曲家始终对他来说都是一个特殊的世界，而Richter却自然而轻松地对它们进行了非常不同的对待。融合不同风格和时代的天生能力可能是他最令人印象深刻的才能，尽管大多数人首先都将他无限的能力视为专家。
1980年以后，他在音乐厅里唯一的灯光聚焦在钢琴上，大约在同一时间，他停止了演奏，尽管他的记忆力始终非凡。
里希特的最后一场音乐会是1995年3月在德国吕贝克。他80岁，身体不好。节目上有三首贝多芬的《海顿奏鸣曲与变奏曲》。里希特于1997年8月1日在莫斯科去世。
Pyotr Tchaikovsky (1840 -1893) created a great number of piano works. These compositions were intended to serve specific purposes and be performed in certain environments. Works like the First Piano Concerto were created for big concert halls to celebrate solemn moments of Russian history and unify the national spirit. Miniatures were usually performed at home, in a circle of friends and family. They are a symbol of the privacy and comfort of many wealthier Russian homes and reflect their style of life in the 19th century. Though Tchaikovsky's piano miniatures were addressed mostly to nobles and prosperous townsfolk, his music speaks to everyone. Intimate and sincere, with rich melodies and simple to perform, the music gained great popularity for the composer.
This album combines Tchaikovsky piano miniatures from Op. 5, 7, 10, 19, 40, 51 and 72.
Sviatoslav Richter (1915-1997), one of the greatest pianists of the twentieth century, was born in Zhitomir, Ukraine, into a family of musicians. His talent was recognized and encouraged from a very early stage. The Richters soon moved from Zhitomir to Odessa, a provincial city in Southern Ukraine. Theophil Richter, father of Sviatoslav, was a professor at
Odessa Conservatory. At the same time and in the same city lived also David Oistrakh and Emil Gilels. By the age of eight Richter played opera scores by Wagner and at age nineteen he gave his first solo piano concert.
We often hear funny things about Richter. For example, that his development as a pianist started when 22-year-old Richter first met Heinrich Neuhaus in Moscow. In fact when Neuhaus listened to Richter's playing he said that there was nothing he could teach him. Being already an accomplished pianist Richter never passed the exam to enter the Moscow
Conservatory as a student. He was enrolled without examination after Neuhaus listened to his playing. Can we imagine the same happening at our state music schools which charge 100$ only for applying and where composers and performers are evaluated by accountants according to form-filling instead of personal inspiration and experience? Indeed, Neuhaus knew that real diplomas are issued in Heaven.
Richter won the All-Union Competition in 1945 and was awarded the Stalin Prize in 1949. Being a jury member at the First Tchaikovsky Competition in 1958 he awarded van Cliburn one hundred points out of possible ten.
The communist regime kept Soviet artists on a short leash and there was a reason for that. Too often Soviet artists chose not to return. The first time Richter was allowed to cross the border with the West was at the end of 1960. That was his debut in the US with the Second Concerto by Brahms conducted by Erich Leinsdorf. After that Richter played seven recitals over ten days in Carnegie Hall. He became an extremely busy performer. However he also became known for cancellations of his performances at the very last minute. He tried to avoid travelling by air. The exhausting life of a travelling concert pianist was not his cup of
tea.
Richter preferred to stay in France and Germany. The environment around Tours in France reminded him of Zhitomir. In 1964, Richter founded an annual festival - the "Fetes Musicales en Touraine" at Meslay. He also established the December Nights Festival which annually takes place at the Pushkin Museum of Fine Arts in Moscow.
Richter's repertoire was vast, though the music he performed was selected very consciously. Besides basic piano repertoire he loved to play sonatas by Schubert and Haydn which evoked delight in his audiences. As time passed Richter's interpretations became more and more rigid and restrained, though each composer was always for him a special world and Richter treated each of them very differently, naturally and easily. A natural ability to merge different styles and epochs was probably his most impressive talent, though most people first of all valued his unlimited abilities as a virtuoso.
After 1980, the only light he allowed in the concert hall was focused on the piano and around the same time he stopped playing by heart though his memory was always extraordinary.
Richter's last concert was in Lubeck, Germany, in March, 1995. He was eighty years old and in poor health. On the program were three Haydn Sonatas and Variations by Beethoven. Richter died in Moscow on August 1, 1997.
古典高品质无损音乐 - 古典音乐专辑：
Nocturne in F major, Op. 10 No.1 – 4:29
Valse Scherzo in A major, Op 7 – 4:17
Humoresque in G major, Op 10 No.2 – 2:40
Capriccioso in B flat major, op. 19, No.5 – 3:55
Chanson triste, Op 40, No. 2 – 3:01
Valse in A flat major, Op. 40, No.8 – 3:22
Romance in F minor, Op.5 – 6:35
Romance in F minor, Op 51. No.5 – 8:42
Un poco di Chopin, Op. 72, No.15 – 3:27
L’espiegle, Op. 72, No. 12 – 2:08
Reverie, Op.19, No. 1 – 4:24
Menuetto-scherzando, Op. 51, No.3 – 4:11
Valse de Salon, Op.51, No.1 – 5:05
Meditation, op. 72, No.5 – 5:19
Total Time- 61:48
Recorded in 1983
Remastered by Nikita Razlukin
Cover painting "Dance at Bougival" by Renoir
Design BiLA
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