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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。
无损音乐下载类型：古典音乐下载，高品质古典音乐打包下载，无损古典音乐专辑免费下载。
古典音乐是门精致的艺术，不但可以开发你的想象力，还能提升你的艺术修养，在当今浮躁的世界里，唯有古典音乐能还你一颗平静的心。
Handel: Messiah Gabrieli Consort and Players: Messiah (DG Archiv)
音乐专辑：亨德尔弥赛亚全集：Handel: Messiah Gabrieli Consort and Players
专辑发行：2016-10-10
发行厂牌： Sony Classical
无损音乐验证：官方百分百保真
数据存储: 百度云网盘多线加密存储
资源类型：FLAC格式高品质无损音乐 - FLAC/FLAC分轨 - 无损古典音乐资源
享乐音乐网：享受音乐，分享快乐！- 享乐音乐为最强音质古典无损音乐而生~
古典音乐打包下载 - Lossless Classical Music - 高品质无损音乐格式古典音乐下载
艺术家：
Bass Vocals – Neal Davies
Composed By – Georg Friedrich Händel
Conductor – Paul McCreesh
Contralto Vocals – Bernarda Fink
Edited By – Reinhild Schmidt
Engineer [Recording] – Jürgen Bulgrin
Engineer [Sound] – Andrew Wedman
Ensemble – Gabrieli Consort
Executive-Producer – Peter Czornyj
Liner Notes – Paul McCreesh, Ruth Smith (2)
Liner Notes [French Translation] – Dennis Collins (2)
Liner Notes [German Translation] – Horst Leuchtmann
Producer [Recording] – Christopher Alder
Soprano Vocals [Soprano I] – Dorothea Röschmann
Soprano Vocals [Soprano II] – Susan Gritton
Tenor Vocals – Charles Daniels (2)
试听音乐介绍：Handel: Messiah Part One: And he shall Purify 320K-MP3音质，高品质古典无损音乐资源数倍于此音质。
古典高品质无损音乐 - 古典音乐专辑介绍：
亨德尔出生在德国,以独领风骚的意大利歌剧称霸英国.自1712年到1759年去世时,对英国的音乐界有无上的影响.他把音乐形态从意大利歌剧转变为英式神剧,用英文创作富有宗教意味的歌词,辅以意大利歌剧的风格。
Having been first released in 1997 on standard CD, this is the 5.1 surround mix on sacd of the original PCM multi-track recordings. Universal still seems proud to proclaim in their notes that the sampling rate is only 44.1K - the same as standard CDs (although 24 bit). Rather than 96K, which would be the standard for DVD-A surround, and while not as good as pure DSD would certainly be superior to only 44.1K. This may be why in the louder climaxes of chorus and orchestra there is a hard glassy quality similar to most CD versions, which is not nearly as annoying on F.I.M.'s stereo SACD Messiah recorded in Sweden. There is also very difference between the stereo and multichannel discs, since the new Archiv has such a low level of information on the surrounds. The F.I.M. really gives a better impression of the cathedral where it was recorded.
But to the music: Messiah is amazing in that it has remained such a popular work with audiences everywhere for centuries now - probably the most familiar piece of liturgical music to the average man in the street. And this in spite of it being a seriously religious oratorio without characters and very little action. However, it is very theatrical, and in its early years was more frequently performed in theaters than in churches. Another advantage to the work is that it is normally performed in English rather than German or Latin. One aspect of the spiritual message might be responsible for the good feeling the public has for the oratorio. That is the quality of a generous and hopeful faith which believes in a loving God and is open to all believers - whereas Bach's liturgical music concentrates heavily on the sufferings of Christ and the individual's responsibility. Messiah is a strong statement of Christian doctrine, using 80 verses from scripture, and mostly from the Old Testament.
The life of Christ is presented mostly thru allusion and symbolism. The Passion, for example, is not described at all (sorry, Mel Gibson) but the theme of redemption is presented in one phrase from scripture. Audiences of Handel's time were familiar with such references and would understand perfectly the intent of the message. The arias and chorus of the oratorio are very dramatic and many will be familiar to listeners even if they haven't participated in one of those Sing Along Messiahs that have become so popular in recent years. There are at least a dozen different versions of the score, and McCreesh has used the Foundling Hospital Version of 1754, which was one of the last actually supervised by Handel himself. The vocal ensemble is smaller than most Messiah performances in the past have used and the words are more clearly understood in the choruses as a result. The pipe organ used is a bit larger than usually heard in such Baroque period music. The five soloists are uniformly excellent and the balances with chorus and orchestra are fine, but there's little of the acoustic environment of All Saints Church in London heard with the low level on the surround channels, and possibly due to the low sampling rate. My Halellujahs go to either the stereo SACD on F.I.M. or the standard CD version on Telarc with Martin Pearlman conducting.
古典高品质无损音乐 - 古典音乐专辑：
01.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (I) Sinfony (3:22)
02.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (I) Comfort ye, comfort ye my People (3:36)
03.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (I) Ev'ry Valley shall be exalted (3:04)
04.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (I) And the Glory of the Lord shall be revealed (2:51)
05.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (II) Thus saith the Lord of Hosts (1:19)
06.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (II) But who may abide the Day of his Coming? (3:51)
07.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (II) And He shall purify the Sons of Levi (2:22)
08.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (III) Behold a Virgin shall conceive (0:26)
09.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (III) O thou that tellest good Tidings to Zion (4:47)
10.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (III) For behold, Darkness shall cover the Earth (2:14)
11.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (III) The People that walked in Darkness (3:58)
12.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (III) For unto us a Child is born (3:36)
13.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (IV) Pifa (Pastoral Symphony) (0:38)
14.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (IV) There were Shepherds abiding in the Field…And lo, the Angel of the Lord came upon (1:03)
15.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (IV) Glory to God in the Highest (1:41)
16.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (V) Rejoice greatly, O Daughter of Zion (3:46)
17.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (V) Then shall the Eyes of the Blind be open'd (0:20)
18.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (V) He shall feed his Flock (4:18)
19.Gabrieli Consort&Players; McCreesh, HWV 56: First Part. (V) His Yoke is easy, his Burthen is light (2:03)
20.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) Behold the Lamb of God (3:09)
21.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) He was despised (12:11)
22.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) Surely he hath borne our Griefs (1:47)
23.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) And with His Stripes we are healed (1:47)
24.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) All we, like Sheep, have gone astray (3:21)
25.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) All they that see him laugh him to scorn (0:39)
26.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) He trusted in God (2:03)
27.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) Thy Rebuke hath broken his Heart (2:03)
28.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (I) Behold, and see, if there be any Sorrow (1:31)
29.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (II) He was cut off out of the Land (0:15)
30.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (II) But Thou didst not leave his Soul in Hell (2:00)
31.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (III) Lift up your Heads, O ye Gates (2:44)
32.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (IV) Unto which of the Angels said He at any Time (0:15)
33.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (IV) Let all the Angels of God worship Him (1:21)
34.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (V) Thou art gone up on High (2:46)
35.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (V) The Lord have the Word (1:06)
36.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (V) How beautiful are the Feet (1:59)
37.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (V) Their Sound is gone out into all Lands (1:17)
38.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (VI) Why do the Nations so furiously rage together (1:15)
39.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (VI) Let us break their bonds asunder (1:38)
40.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (VII) He that dwelleth in Heaven…Thou shalt break them with a Rod of Iron (2:06)
41.Gabrieli Consort&Players; McCreesh, HWV 56: Second Part. (VII) Hallelujah! (3:35)
42.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (I) I know that my Redeemere liveth (6:23)
43.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (I) Since by Man came Death (2:02)
44.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (II) Behold, I tell you a Mystery (0:32)
45.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (II) The Trumpet shall sound (8:18)
46.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (III) Then shall be brought to pass (0:15)
47.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (III) O Death, where is thy Sting? (0:53)
48.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (III) But Thanks be to God (1:56)
49.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (IV) If God Be For Us (4:13)
50.Gabrieli Consort&Players; McCreesh, HWV 56: Third Part. (IV) Worthy is the Lamb that was slain - Amen (7:32)
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