[无损音乐格式]贝多芬/勃拉姆斯《克伦佩勒：最后的音乐会 The Last Concert》Otto Klemperer FLAC古典音乐下载

古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。


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古典音乐是门精致的艺术，不但可以开发你的想象力，还能提升你的艺术修养，在当今浮躁的世界里，唯有古典音乐能还你一颗平静的心。


克伦佩勒：最后的音乐会
表演者: Daniel Adni  
音乐专辑：贝多芬/勃拉姆斯：克伦佩勒：最后的音乐会
艺术家： Daniel Adni
专辑发行：2008-08-28
发行厂牌：Testament
音乐格式：FLAC格式无损音乐、高品质无损音乐全立体声
贝多芬/勃拉姆斯：克伦佩勒：最后的音乐会
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古典音乐打包下载 - Classical Music - 高品质无损音乐格式古典音乐下载


贝多芬/勃拉姆斯：克伦佩勒：最后的音乐会古典音乐专辑介绍


The concert of 26 September 1971 was never intended to be Klemperer’s farewell to ‘live’ musicmaking. In his 87th year this conductor was keen to remain an active music maker. He had just overridden EMI’s choice of Fiordiligi in his new Così fan tutte recording (he wanted, and got, Margaret Price), approved Lorin Maazel as guest conductor of the New Philharmonia, and was keen to be present at player auditions. For 1971/72 he planned his first-ever performances of Mahler’s Eighth and Mendelssohn’s Die erste Walpurgisnacht and told EMI that he wished to record the Verdi Requiem, Weber’s Euryanthe, Sibelius’s Fourth and Offenbach’s Orpheus in the Underworld. After a deal of negotiation (and some intrigue with Deutsche Grammophon) sessions for Beethoven’s Grosse Fuge, Mozart’s Serenata Notturna, Brahms’s St Antony Variations and a complete Mozart Entführung aus dem Serail were agreed. And yet, according to Otto Freudenthal, the Swedish-born pianist and composer who assisted closely in (and played for some of) Klemperer’s musical activities, “he was not interested in recordings; he had no feeling for that at all. Recording sessions were just rehearsals for concerts”. 1971 proved a busy year. Così was recorded and performed. Klemperer began learning Hebrew, advised Rafael Kubelík not to become music director of the Metropolitan Opera (he did, but only for 6 months), conducted Mahler in London (the Resurrection Symphony for the 60th anniversary of the composer’s death) and Bach and Mozart in Jerusalem, and (according to Freudenthal) was “always working on the score of his opera Das Ziel”. (Plans to record it were eventually shelved at Klemperer’s own request). In September he came to London and recorded Haydn’s Oxford Symphony – he had never performed the work ‘live’ and was nervous, but sessions went smoothly – and Mozart’s K.375 Serenade. An ensemble of young players from the New Philharmonia performed his String Quartet No.7.

From the booklet Mike Ashman, 2008

Mono Recording: 26 September 1971, Royal Festival Hall, London



贝多芬/勃拉姆斯：克伦佩勒：最后的音乐会古典音乐专辑


Applause & Announcements
König Stephan (King Stephen), incidental music, Op. 117: Overture
Piano Concerto No. 4 in G major, Op. 58: 1. Allegro moderato - Cadenza - Allegro moderato
Piano Concerto No. 4 in G major, Op. 58: 2. Andante con moto
Piano Concerto No. 4 in G major, Op. 58: 3. Rondo (Vivace) - Cadenza - Tempo 1
Applause
Symphony No. 3 in F major, Op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo 1
Symphony No. 3 in F major, Op. 90: 2. Andante
Symphony No. 3 in F major, Op. 90: 3. Poco allegretto
Symphony No. 3 in F major, Op. 90: 4. Allegro - Un poco sostenuto


试听音乐介绍：Symphony No.3 in F Major, Op.90:3. Poco allegretto 320K-MP3音质，高品质无损音乐资源数倍于此音质。
                    

   


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音乐它可以梳理自己那些烦乱的思绪，每次听完都有如获新生般的感觉。

我喜欢一切和音乐有关的东西！包括关于音乐的故事！

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感情和气味是这么一种东西：它们犹如光之于太阳，音乐之于风。

音乐是比一切智慧、一切哲学更高的启示。

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好的音乐会让我有一种身临其境感觉，进而调动我的情感，与之共鸣。

谢谢楼主分享，一直是忠实歌迷。