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专辑英文名: Love Scenes
专辑中文名: 爱情故事
歌手: Diana Krall
音乐风格: 爵士
歌手: Diana Krall
版本: [sacd-r]
发行时间: 1997年08月27日
地区: 美国
语言: 英语
专辑介绍:
Diana Krall-Love Scenes《SACD》戴安娜 克瑞儿
型 号： UCGU-9017
简 介： DIANA KRALL - Love Scenes
SACD+SHMCD+SUPER AUDIO
美国告示牌杂誌爵士专辑排行榜32週冠军
钢琴家兼歌手戴安娜．克瑞儿独到的音乐才华，於近年成为爵士乐界最贝魅力的歌声。乐评一致公认她是继艾拉．以来，唯一让爵士乐得以人深入一般听眾，并且不受乐风侷限的女伶。不过戴安娜本人却对於眾人给予她的讚誉有点过多，因为她不想成为典型的爵士歌手，她希望可以做更多的尝试，一次又一次的折服人心。
1997年她灌录这张专辑便以Peggy Lee或艾拉．费兹洁拉和莎拉．范恩等人唱红的旧作重新赋予新意，而获得乐迷青睞。无怪乎时代杂誌给予；『无论何时，她给人一种凝聚灵魂音色与高雅音质的声音。』
【戴安娜‧克瑞儿】
英文姓名：Diana Krall
国籍：加拿大
在新生代的爵士女歌手中，Diana Krall绝对是令人难以移开目光的耀眼存在。她拥有迷人的嗓音，亮眼的外型，一手好琴艺更是无从挑剔。得天独厚的条件使得她甫出道便获得眾人的注目，克林伊斯威特就对她青睞有加，甚至邀请她在电影「热天午夜之慾望地带」（Midnight Garden of Good and Evil）里献唱，令许多人为之惊艳不已。
出生於加拿大的她，15岁就在家乡附近的爵士酒吧里表演，高中时加入学校的jazz band，其后更赢得奖学金，前往著名的Berklee音乐学院深造。经过一年半的研习后，Diana回到家乡Columbia，继续在酒吧里演唱。一晚她在名为Nanamio的酒吧里表演时，正巧被贝斯手Ray Brown听到，而留下深刻的印象，没多久，Ray便说服她搬到洛杉磯，并将之介绍给钢琴手Jimmy Rowels，接受他的指导。
这样一路的学习、表演，Diana其实已累积了一定程度的经验和听眾群。1993年，她终於於Justin Time唱片公司发行了第一张个人专辑〝STEPPING OUT〞，专辑里Diana展现了精湛的弹奏技巧与动人的嗓音，Ray Brown并亲自跨刀演出，加上Jeff Hamilton 和John Clayton两位乐手的助阵，使得首张专辑便造成不小的轰动，更使Diana得到一纸爵士大厂GRP的片约。1995年第二张专辑〝ONLY TRUST YOUR HEART〞发行，这次更找来了各方好手如Ray Brown, Christian McBride, Lewis Nash 和Stanley Turrentine，以及制作人Tommy LiPuma等，整张音乐内涵更趋丰富多变。
不过一直要到1996年她与Impulse!公司签约后，其爵士音乐生涯才真正到达巔峰，那年推出的专辑〝ALL FOR YOU〞在Billboard爵士榜上停留70週之久，让她赢得生平第一座葛莱美最佳爵士歌手奖；其后推出的〝LOVE SCENES〞在美国本地销量达五十万张，这对许多爵士乐手而言简直是一个天文数字，专辑的畅销让她在1998年再次赢得葛莱美最佳爵士歌手奖，获取更多的掌声与喝采。
Diana出道至今不过近十年的时间，但依著她特出的嗓音及外表，及绝佳的演奏技巧，拥有目前这样受欢迎的程度并不为过。虽然有些乐迷们对她近两张专辑里著重在演唱部分而忽略掉其本身精采的演奏技巧，专辑走向愈加流行化颇感惋惜，但无疑地她仍旧是新生代中最值得期待的乐手之一。
Label: DTS Entertainment ‎– 71021-51044-2-3, Impulse! ‎– 71021-51044-2-3
Format: CD, Album, Multichannel
Country: US
Released: 1998
Genre: Jazz
Style: Smooth Jazz, Contemporary Jazz
Audio CD (August 26, 1997)
Original Release Date: August 26, 1997
Number of Discs: 1
Format: CD, Original recording
Label: Grp Records
Run Time: 55 minutes
ASIN: B000003NA4
No Hype: A Major Talent! (Buy it for yourself or a friend!)
By M. Allen Greenbaum HALL OF FAMEVINE VOICE on May 15, 2000
Format: Audio CD
I have to admit I was suspicious of the hype surrounding Diana Krall s "Love Scenes." Just about everybody loves her. Almost overnight, Diana Krall became synonymous with "jazz singer," just as Frank McCourt became synonymous with "Irish writer" after the publication of "Angela s Ashes." I suspect this caused a backlash among some jazz fans who (partly because of the nature of jazz, constantly rebuilding upon itself) are especially conversant in jazz lineage and eager to compare styles.
Well, just as Frank McCourt is not the last word in Irish literature, Diana Krall is decidedly not Billie Holiday (a ridiculous comparison) or Sarah Vaughan. In fact, not knowing too many other jazz vocalists might even enhance your appreciation of "Love Scenes." You have to appreciate her on her own terms; fortunately, this is easy to do.
So why is she getting the attention? For starters, her subtle intonations and phrasing make ordinary words sound onomatopoetic: Listen to "Garden in the Rain," and you ll hear the crisp fresh sound of springtime. Her vocal dynamics are superb, knowing when to pull back and when to let her voice soar. And her acheingly beautiful "I Don t Stand A Ghost of a Chance with You" is the best version I ve heard since Clifford Brown s instrumental masterpiece.
"Peel Me a Grape" is fun and sexy, but you d have to be a bad singer to ruin Dave Frishberg s (1962) clever list of double entendres! ("New Thunderbird me, you heard me.") Still, Ms. Krall delivers the goods, and teasingly drops a couple of words as she stretches the phrase "Peel Me...."
Her remarkable swinging but subtle piano can be overlooked: Just listen to the confidently daring solos on "They Can t Take That Away from Me" and "How Deep is the Ocean (How High is the Sky)" and you ll appreciate her artistry. The arrangements, as well as the comping on guitar (Russell Malone) and bass (Christian McBride) are consistently strong.
She s not as complex or as blues-inflected as other vocalists, but she IS a superb jazz singer. Like the best jazz musicians, she adds new colors and shadings to standards, and swings both vocally and instrumentally. She is less the jazz vocalist on her recent "When I Look Into Your Eyes," which is overproduced, apparently overdubbed, and veers way too close to a bland pop style. Let s hope that future efforts are closer to "Love Scenes," a deservedly much praised album.
01. All Or Nothing At All / Written-By – Arthur Altman, Jack Lawrence (2) 4:35
02. Peel Me A Grape / Written-By – Dave Frishberg 5:52
03. I Don t Know Enough About You / Written-By – Dave Barbour, Peggy Lee 4:01
04. I Miss You So / Written-By – Bertha Scott, Jimmy Henderson, Sid Robin 4:42
05. They Can t Take That Away From Me / Written-By – George Gershwin, Ira Gershwin 5:39
06. Lost Mind / Written-By – Percy Mayfield 3:48
07. I Don t Stand A Ghost Of A Chance With You / Written-By – Bing Crosby, Ned Washington, Victor Young 6:14
08. You re Getting To Be A Habit With Me / Written-By – Al Dublin*, Harry Warren (2) 2:14
09. Gentle Rain / Written-By – Luis Bonfa*, Matt Dubey 4:55
10. How Deep Is The Ocean (How High Is The Sky) / Written-By – Irving Berlin 4:45
11. My Love Is / Written-By – Billy Myles 3:26
12. Garden In The Rain / Written-By – Carroll Gibbons, James Dyrenforth 4:56
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