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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。
无损音乐下载类型：古典音乐打包下载，无损古典音乐专辑免费下载。
古典音乐不但可以开发你的想象力，古典音乐还能提升你的艺术修养，最重要的是在当今浮躁的世界里，
唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后，才能从容不迫的面对世间一切纷扰，实现自我突破。
5冷门 - Linn毕赛尔(b.1954) 吉它协奏曲等
Eliot Fisk - Beaser - Guitar Concerto - Serebrier- (Linn, 2017)
Robert Beaser (b.1954) 罗伯特·毕赛尔, 美国作曲家
Guitar Concerto & other works
Eliot Fisk (guitar), Royal Scottish National Orchestra, José Serebrier (conductor)
Label: Linn
CKD528
Digital booklet (PDF)
Recording details: September 2015
Royal Scottish National Orchestra Centre, Glasgow, Scotland
Produced by Philip Hobbs
Engineered by Philip Hobbs & Robert Cammidge
Release date: June 2017
Total duration: 61 minutes 45 seconds
Cover artwork: Cecilia by Gunther Gerzso (1915-2000)
Mary-Anne Martin Fine Art
Four works by contemporary American composer Robert Beaser receive dramatic first recordings from José Serebrier and the Royal Scottish National Orchestra.
A 24-bit 192 kHz studio master for this album is available from the Linn Records website.
Robert Beaser
born: 29 May 1954
country: USA
Robert Beaser was born on 29 May 1954 in Boston, Massachusetts. One of the most accomplished creative musicians of his generation, his music has been performed and commissioned by major orchestras, conductors, ensembles and performers worldwide. Cited early in the 1980s as one of the ‘new tonalists’, his works now defy categorization and chart their own unique trajectories through a wide range of media, blurring boundaries and reconciling seemingly contradictory worlds in unexpected ways. He is the recipient of numerous major awards and honours including an Emmy Award (2016), a GRAMMY? nomination, Guggenheim and Fulbright Fellowships, and the Rome Prize from the American Academy on Rome. In 2004 he was inducted into the American Academy of Arts and Letters.
Beaser studied literature, political philosophy and music at Yale University, graduating summa cum laude in 1976. He went on to earn his Master of Music, M.M.A. and Doctor of Musical Arts degrees from the Yale School of Music. His principal composition teachers have included Jacob Druckman, Earle Brown, Toru Takemitsu, Arnold Franchetti, Yehudi Wyner, Lukas Foss and Goffredo Petrassi. In addition, he studied conducting with Otto-Werner Mueller and William Steinberg at Yale and composition with Betsy Jolas on a fellowship to Tanglewood, Massachusetts.
From 1978–90 he served as co-Music Director and Conductor of the innovative Contemporary Chamber Ensemble Musical Elements in New York, bringing premieres of over two hundred works to Manhattan. From 1988–93 he was the ‘Meet the Composer’ and Composer-in-Residence with the American Composers Orchestra and throughout the 1990s served as their Artistic Advisor. During that time he spearheaded the groundbreaking Sonidos de las Americas Festival (1993–9)—a week-long event every year of musical and cultural exchange, bringing composers from Mexico, Brazil, Argentina, Venezuela, Puerto Rico and Cuba to the stage of Carnegie Hall. From 2001–13 he served as the ACO’s Artistic Director and he is currently the Artistic Director Laureate.
Since 1993, he has been Professor and Chairman of the composition department at the Juilliard School, New York. In Beaser’s article in the New York Times’ Opinionator section (‘The Reconstruction of Rome’, 2012), he describes his artistic epiphany and transformation from 1970s modernism to a more personal flexible stylistic hybridity. Since the early 80s, he has appropriated elements from folk traditions, pop and other sources and synthesized them with western classical tradition to create music whose simple surface transparency belies deeper complexities, conflicts and contradictions. His acclaimed opera, The Food of Love, written with playwright Terrence McNally, has been televised nationally for Public Broadcasting Service’s Great Performances series, and his GRAMMY?-nominated Mountain Songs for flute and guitar has become one of the most performed works of the genre. His commission from twenty-seven wind ensembles across the US, The End of Knowing, has been hailed as a unique and significant addition to the repertoire.
Beaser’s works have been recorded for London/Argo, EMI, Naxos, New World Records, Innova, Bridge, Summit, CRI and MusicMasters. He has been guest lecturer at major universities and conservatories throughout the US and Europe and has served as co-issue editor for the Contemporary Music Review ‘New Tonality’ issue. He has served as trustee of numerous institutions including the American Academy in Rome and The MacDowell Colony. His music is published exclusively by Schott Music Corporation, New York.
Tracks:
Guitar Concerto [28'45] 吉它协奏曲
Eliot Fisk (guitar), Royal Scottish National Orchestra, José Serebrier (conductor)
1. Chains and hammers [11'42]
2. Tombeau [9'25]
3. Phrygian pick [7'38]
4. Notes on a southern sky [12'10]
Eliot Fisk (guitar)
5. Evening prayer [14'59]
Royal Scottish National Orchestra, José Serebrier (conductor)
6. Ground O [5'51]
Royal Scottish National Orchestra, José Serebrier (conductor)
TT: 61'45
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