[无损音乐格式] Otis Taylor My World Is Gone 2013 FLAC Jazz Music 爵士音乐打包下载

爵士音乐 Jazz Music 是浪漫与随性的动情结合，爵士乐旋律主要以，舒缓、放松、动感，富有情调为主，堪称完美。
爵士音乐推荐理由：爵士音乐的复杂，在于它的变幻莫测。爵士音乐的简单，在于它的浪漫随性，聆听爵士乐就是这么放松心情。
经典爵士歌曲，具有动感的节奏、个性十足的爵士音阶，赢得了爵士音乐发烧友们的喜爱，同时也得到了音乐领域各界人士的认可。

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有人说爵士音乐是一种自由的艺术，一个个音符轻灵跳动，可以随性摇摆也可以独具一格，全凭一时的感觉与情绪。
爵士乐亦是一种生活态度，听爵士音乐的人可以让情感慢慢流泻，不管是忧伤还是喜悦，那种缓慢沉着实在是恰到好处。
                                                                                       

Artist:  Otis Taylor
Album: My World Is Gone
Genre: Contemporary Blues,  Modern Blues
Labe:  TELARC
Recording Date: 2013
Format: CD
Quality: FLAC
Size:  382 MB

Otis Taylor is among the most mercurial of bluesmen. While his signature vocal phrasing and playing -- whether it be on guitar, mandolin, or banjo -- is rooted in several blues traditions -- his music almost never strictly conforms. Taylor's ability to morph his elliptical "trance blues" into any sound he pursues is beguiling. My World Is Gone is no exception. Its title refers to a comment made to him by Native American guitarist Mato Nanji of Indigenous after a concert. Nanji and his guitar are key players on about half the record. Most of these cuts address various issues in Native American history (from the Indian's side), especially the ill treatment of this first world people by the United States government and populace. Yet, in typical Taylor fashion, there are a couple of curveballs too. The title track is introduced by his acoustic guitar and Anne Harris' lonesome fiddle, as he gradually unfolds his tale, Nanji's electric stings the ends of his lines. "Huckleberry Blues" is essentially a one-chord funk vamp, propelled by Todd Edmund's bassline, and equally elusive jazzman Ron Miles' labyrinthine groove-laden cornet. Taylor plays chunky, amplified banjo chords atop Larry Thompson's drum kit. An acoustic banjo and Thompson's military snare, introduce "Sand Creek Massacre," the most haunting cut here. Nanji uses restraint in painting the margins with an array of guitar sounds and Miles flits and hovers in the mix. A B-3 shimmers in somewhere, and Taylor's voice, moaning and chantlike, brings the listener inside the drama. Americana is utilized in "Blue Rain in Africa," a story song about the white buffalo, sacred in Native American culture as viewed from the point of view of an Indian protagonist who has only ever seen one on television because the buffalo were almost wiped from the earth in the middle of the 20th century. "Girl Friend's House" is pulsed by banjo, throbbing bass, brushed snare, and Miles' multi-tracked cornet. It's about a "man who catches his wife in bed with a girlfriend and decides he wants to join in." Taylor's protagonist's pain and desire is evident in his groaning, grainy vocal. "Jae Jae Waltz" is a banjo- and cornet-fueled country waltz, while "The Wind Comes In" is slow blues rock with excellent guitar from Nanji. "Coming with Crosses" uses country and bluegrass to tell its horrific tale in a dramatic droning blues. Harris' fiddle is particularly effective as another voice in the narrative. "Sit Across Your Table," a love song, is the full-blown electric rocker that closes the recording. The music on My World Is Gone is always seemingly familiar yet impossible to pin down. Taylor's chameleon-like always-hiding-in-plain-sight aesthetic gives us a poignant, compelling recording that warrants repeated listening. In a decade or a century, it will more than likely sound as elliptical and necessary as it does now. AMG

1. My World Is Gone
2. Lost My Horse
3. Huckleberry Blues
4. Sand Creek Massacre Mourning
5. The Wind Comes In
6. Blue Rain In Africa
7. Never Been To The Reservation
8. Girl Friend s House
9. Jae Jae Waltz
10. Gangster And Iztatoz Chauffeur
11. Coming With Crosses
12. Green Apples
13. Sit Across Your Table
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