[无损音乐格式] ECM 图尔 b.1959 第6交响曲'阶层',意向 古典音乐打包下载

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5无损音乐格式古典音乐冷门 -  ECM图尔(b.1959) 第6交响曲'阶层',意向

Erkki-Sven Tuur - Strata (2010) {ECM 2040}

Composer: Erkki-Sven Tuur (b.1959) 厄克-斯文·图尔
Musicians: J?rg Widmann - clarinet
                  Carolin Widmann - violin
Orchestra: Nordic Symphony Orchestra
Conductor: Anu Tali  
date: 15.10.2010

ECM: Edition of Contemporary Music

图尔(born 16 October 1959)，世界着名爱沙尼亚作曲家。

    Vertical and layered in form, “Strata” is austere and powerful music with a clearly Northern sensibility. The textures swirl and surge restlessly, building tension with harsh, emphatic brass chords set against high winds. There is an instense staccato outburst halfway through – with malign, mach-like drumming passages – evincing the composer’s rock influenes. Near the end, Tüür uses a pastoral motif from an Estonian (“Setu”) folksong, as the music slows down and coalesces in a shimmering coda and a sense of infinity in its long slow fade to silence. Performances by the Nordic Symphony Orchestra under Anu Tali are bracing, powerful, and very well recorded.


Background

“My pieces are abstract dramas in sound, with individual characters and an extremely dynamic chain of events; unfolding in a space that is constantly shifting, expanding and contracting.” Thus Erkki-Sven Tüür, characterising his highly energetic recent works. The fifth New Series release dedicated exclusively to music by the Estonian composer presents world premiere recordings of two large-scale pieces for orchestral forces. “Strata” and “Noёsis” are played by the Tallinn-based Nordic Symphony Orchestra under the direction of Estonian conductor Anu Tali. .Both orchestra and conductor make their New Series debuts here.

“Strata”, Tüür’s sixth symphony, which was commissioned and premiered by the Nordic Symphony, consists of one massive 32-minute movement which, in accordance with the geological metaphor of the title, explores the gradual movements and shifting relationship of different musical layers. In the liner notes, fellow composer and musicologist Kerri Kotta emphasizes that for Tüür, who in his earlier work has played with contrasting and contradictory methods and styles, “the symphony is not a post-modern re-enactment of well-known models. Although Tüür carefully avoids direct musical quotations, the traditional aspects of his works become manifest through distinctive rhythmic, melodic, dynamic and affective qualities. (...) These topics articulate the changing surface, where a key or a code gives rise to numerous voices which in their turn make up different textural layers.” Tüür’s compositions since 2002, indeed, follow a new path: “I have invented a method I call "vectorial writing", as the principle of voice-leading in the wider sense follows projections of vectors in different directions. At the same time, the basic material is given by a certain numerical code which acts like a gene in forming the whole composition with all possible mutations and transformations. This technique allows me to achieve much more harmonic variety.”

“Noēsis” was written in response to a commission from Neeme J?rvi and premiered by the Detroit Symphony Orchestra. The solo parts of this concerto for clarinet, violin and orchestra are played on the present recording by J?rg and Carolin Widmann. While Carolin has won unanimous critical acclaim for her renderings of Robert Schumann’s violin sonatas and for her 20th-century music recital “Phantasy of spring”, J?rg Widmann counts among the pre-eminent young composers of our time, as well as one the finest contemporary clarinettists.  



Track List:

1. Symphony No. 6 “Strata”      32:25  第6交响曲'阶层'
2. Noesis (Concerto for clarinet, violin and orchestra)     20:40  意向

TT: 53'05

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