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4无损音乐格式古典音乐冷门 - ECM道兰德时代的帕凡舞曲与幻想曲
John Holloway - Pavans and Fantasies from the Age of Dowland (ECM 2014)
Artists: John Holloway Violin, Viola (http://www.johnholloway.org/willkommen/) 约翰·霍洛维
Monika Baer Violin, Viola
Renate Steinmann Viola
Susanna Hefti Viola
Martin Zeller Bass Violin
date: 21.03.2014
ECM: Edition of Contemporary Music
John Dowland’s Lachrimae Pavans is considered one of the greatest works in the canon of English chamber music. Based upon his famous song “Flow My Teares”, the seven pavans – Seaven Teares, as Dowland called them – present an extraordinary exploration of the contrapuntal and harmonic possibilities offered by the theme. In this remarkable recording, baroque violinist John Holloway creates a concert programme around the lachrimae Pavans. Threaded between Dowland’s masterpieces are works of other major composers of his era – Henry Purcell, William Lawes, John Jenkins, Thomas Morley and Matthew Locke. In bringing together these works of strongly contrasting colour and character Holloway and company give us a vivid sense of the great flowering of consort music which took place in England in the 17th century.
Background
The composition of Lachrimae Pavans, one of the great works in the canon of English chamber music, was begun in Denmark at the end of the 16th century, while John Dowland was working as a lutenist at the court of King Christian IV. A unique seven-part work developing a theme from Dowland’s famous song “Flow my teares” and exploring all its contrapuntal and harmonic possibilities, it is also music of persuasive emotional power. “How well he seems to have understood the power of music to move us,” writes John Holloway in the liner notes, and “to express otherwise inexpressible emotions. He called them ‘passionate pavans’, and within the stately constrained movements of the slow dance, passions are indeed to be found.”
The music, according to the title page of the folio volume, is “set forth for the lute, viols or violons”. Choosing to emphasize “violons” Holloway and company play the Dowland Pavans on four violas and bass violin; “As has been said of Dowland, his greatest works are inspired by a deeply felt tragic concept of life and a preoccupation with tears, sin, darkness and death. With that in mind, the choice of instruments made itself.”
In this recording, produced by Manfred Eicher at Zürich’s Radio Studio, John Holloway and his ensemble juxtaposed the Pavans with other pieces by Dowland’s contemporaries, in a programme with strong contrasts of character and sound colour – from Purcell’s extraordinary “Fantasy upon one note” to Thomas Morley’s haunting “Lament” – evoking the great flowering of English instrumental consort music of the late 16th and early 17th centuries.
Track list:
1. Lachrim? Antiqu? (John Dowland 1563-1626) 04:19 古老之泪,取自道兰德的《七滴泪》
2. Fantasy upon one note (Henry Purcell 1659-1695) 02:45
3. Lachrim? Antiquae Nov? (John Dowland) 04:01 古老之泪新版,取自道兰德的《七滴泪》
4. 2 Airs for 4 (William Lawes 1602-1645) 03:23
5. Lachrim? Gementes (John Dowland) 03:57 叹息之泪,取自道兰德的《七滴泪》
6. Fantasy No. 12 for 2 Trebles and Bass (John Jenkins 1592-1678) 03:53
7. Lachrim? Tristes (John Dowland) 05:18 悲伤之泪,取自道兰德的《七滴泪》
8. Lamento for 2 (Thomas Morley 1557/58-1602) 02:34
9. Lachrim? Coact? (John Dowland) 04:00 强迫之泪/伪善之泪/鳄鱼之泪,取自道兰德的《七滴泪》
10. Fantasy for 2 Trebles and Bass (Matthew Locke 1621/23-1677) 04:11
11. Lachrim? Amantis (John Dowland) 04:27 爱之泪,取自道兰德的《七滴泪》
12. Fantasy in C for 5 (William Lawes) 02:25
13. Lachrim? Ver? (John Dowland) 04:10 真实之泪,取自道兰德的《七滴泪》
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