Warner 马尔库岑斯基 《malcuzynski 1914年 - 1977年作品合集》 波兰钢琴大师 malcuzynski ICON 8CD 马尔库

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  Warner马尔库岑斯基(1914-1977) 波兰钢琴大师(ICON, 8CD)

马尔库岑斯基(1914-1977) 波兰钢琴大师

Icon: Witold Malcuzynski - The Polish Master Pianist (Box set, 8CDs)

Artist: Witold Malcuzynski piano 维托尔德·马尔库岑斯基(1914-1977)
Composers: Chopin, Liszt, Brahms, Rachmaninov, Tchaikovsky,
                   Bach, Beethoven, Franck, Debussy, Szymanowski, Paderewski, Scriabin, Prokofiev
Number of Discs: 8
Format: Box set
Label: Warner Classics

16 Sep 2013


Born 1914 in Warsaw, Witold Malcuzynski can be regarded as one the greatest heirs of the Polish piano tradition inherited from Paderewski; he was also one of the greatest Chopin specialists, which is reflected in his discography and therefore in this ICON set. These recordings dedicated to the Romantic repertoire have been unavailable for decades.

Though the legacy of Paderewski looms large, Malcuzynski's own contribution to the Polish piano tradition was a significant one: his sparing approach to rubato and the precision of his phrasing have influenced the current generation of Polish pianists, such as Krystian Zimerman.


维托尔德·马尔库岑斯基（Witold Malcuzynski，1914-1977）马尔库岑斯基，波兰伟大的钢琴家，出生于华沙一个富裕家庭。他童年最重要的钢琴导师是约瑟夫·图尔切尼斯基(Josef Turczynski, 1884-1953)，图尔切尼斯基的老师是伟大的钢琴家和作曲家布松尼/布索尼(Busoni, 1866-1924)。马尔库岑斯基另一位名师是伟大的帕德雷夫斯基(Paderewski, 1860-1941)，虽然时间不长，但对于马尔库岑斯基的影响确实非常巨大。可以说，马尔库岑斯基与同时代的俄罗斯和苏联的钢琴大师一样，也是由李斯特开创的俄罗斯、波兰钢琴流派的重要成员之一。

1937年，他在肖邦钢琴比赛中获得第三名（第一名是苏联的扎克），然后在巴黎随法国钢琴之母玛格丽特·隆夫人(Marguerite Long，1874-1966)学习，而后，开始他的全球巡演。1958年，他回到阔别12年的祖国波兰，在2周内举行了9场独奏音乐会。所有的票被一抢而光，在其中一场音乐会上，甚至加演了10首无损音乐专辑曲目，才得以收场。由于马尔库岑斯基有着英俊的外貌、优雅的举止和迷人的台风，终其一生都是非常受观众欢迎的钢琴家，他经常举行巡回音乐会演出，并和指挥大师合作。

在唱片录音方面，他分别在40年代末、50年代末和60年代初，为EMI和哥伦比亚公司录制了他最擅长的无损音乐专辑曲目。其中，精品中的精品——肖邦钢琴作品，是在60年代初录制的，也就是这里推荐的肖邦圆舞曲、玛祖卡舞曲、叙事曲、波兰舞曲。而《第二钢琴协奏曲》是他与苏斯金德、以及伦敦交响乐团重新录制的，效果比40年代末的那一版好了许多。这些作品，凭借其迷人、镇定、和雅致的风格，成为了这些无损音乐专辑曲目最杰出的录音之一。马尔库岑斯基在演奏中受到的赞誉不仅仅是他的技巧和控制力，还有他敏锐的感情表达，尤其是在肖邦的作品中，马尔库岑斯基的风格和品味中精致的特点，得到了鲜明的体现。

我个人认为，马尔库岑斯基属于那种将自然的天赋与敏锐的音乐洞察力结合起来的钢琴家，同时，他也维系着源自帕德雷夫斯基与希尔温斯基以来一脉相承的“波兰浪漫主义”的伟大传统。在这方面，音乐国际化了的鲁宾斯坦是无法做到的。我也听过许多钢琴家录音，他的风格是最为冷静，也是最自然的肖邦演绎者。每一位音乐爱好者、肖邦爱好者、钢琴音乐的爱好者都需要马尔库岑斯基的演奏：坦率、大度，表现出鲜明的个性和人性，丰富的音乐洞察力和说服力。


评论兼介绍一篇

　　EMI/华纳的Icon系列出品，至今大多属着名artist的录音。Witold Malcuzynski这位钢琴家的名字，在今天的乐界，有多少人听过呢？Malcuzynski的名气非但被时间冲刷而去，其LP录音也只有少数以CD再版过，而且大都已绝版。 这个8CD套装，囊括了大部份Malcuzynski在HMV和Columbia做过的独奏和协奏录音，对本身熟悉Malcuzynski的乐迷来说理应有吸引力。我以前孤陋寡闻，但听完这套CD，100%被折服了：不得不承认，此君实在是一位被历史遗忘的大师。
　　
　　Malcuzynski 1914年生于波兰，在华沙音乐学院师从Josef Turczynski，后来分别跟Maguerite Long、Isidor Philipp和Paderewski几位大师学习过。CD文案将Malcuzynski与Busoni相提并论，认为两人同属德国与意大利两大钢琴传统的传人。Malcuzynski是处于浪漫与现代钢琴学派之间的，风格不像Paderewski那样放任，但也绝非波里尼(Pollini)之类的现代钢琴家。撇开流派问题不论，Malcuzynski Malcuzynski有自己性格鲜明的pianism：从他强硬厚实的触键、粒颗凝聚感极强的琴音可以听出，比起Paderewski倚赖踏瓣营造音色，他更重视指力的控制。Malcuzynski仔细经营音与音之间的轻重联系，同时保持着像上一代钢琴家举重若轻的从容风范，rubato广泛而高品味，而且键盘功夫干净利落。
　　
　　八张CD，头四张都是萧邦：14首圆舞曲、15首玛祖卡、6首波兰舞曲、四首叙事曲、两首夜曲，还有第二、三奏鸣曲，第二、三谐谑曲，第二协奏曲（Susskind/LSO）和F小调幻想曲。Malcuzynski演奏的三组舞曲都有令人不由得随着摆动的舞蹈感，柔软灵活的rubato是这位波兰人掌握萧邦语言的明证。玛祖卡触键敏感但强音仍血肉丰沛，圆舞曲尤其有种罕闻的力度，彷佛是舞者腰板挺直一般，胜过不知多少矫揉做作的演译。我未听过Malcuzynski与Kletzki合作的第二协奏曲，但这个Susskind/LSO录音已经把我迷住了：Malcuzynski徐缓的抒情方式不但有天然的贵族气息，而且将乐曲情感上的暗涌表现得格外有力。其他曲种不能逐一细说（虽然我很想），但这里几张萧邦，均足以跻身最耐听的萧邦演译之列。
　　
　　萧邦外的四张CD以浪漫派协奏曲为主，包括李斯特第二（Susskind/Philharmonia）、布拉姆斯第一（Rieger/Philharmonia）和（还是逃不掉）柴一（Malko/法国国家乐团）与拉三（Kletzki/Philharmonia，乐谱是早期沿用的删节版）。这个拉三虽然删剪了首尾乐章某些部份，仍是个值得细听的版本：Malcuzynski轻易掌握拉赫庞大的织体，内声部虽然繁复但听起来一点也不负赘，高音旋律从指尖发力，八度穿透力十足，演译的整体印象是“有节制的激情”, 而且Kletzki的伴奏实在很engaging（他的拉赫交响曲录音也十分杰出）。其馀几首协奏曲Malcuzynski凭其扎实的技巧发挥得相当平均，但就论演译就不及算出众。
　　
　　Malcuzynski馀下的独奏录音之中，大型作品如李斯特奏鸣曲、布拉姆斯《韩德尔变奏曲》和贝多芬《热情》奏鸣曲都是力作，演奏从不缺严谨的架构感和清晰的动力。我自己特嗜Malcuzynski的李斯特《西班牙狂想曲》和法朗克《前奏曲、圣咏与赋格》，前者弹得痛快淋漓但每个音仍清晰可闻，后者则以一丝不苟的典雅气质演绎出深沉的乐思，结尾处理得尤其精彩（如果Malcuzynski有录Reger的巴赫变奏曲就好了）。最后不得不提荷洛维兹/霍洛维茨以外最叫人难忘的一首斯克里亚宾《升D小调练习曲》：Malcuzynski一开首就将第二个D sharp降低一个八度来弹，宏大悲壮的基调便定得比许多版本好，此后短短两分钟峰回路转，Malcuzynski在后段厚重和弦中的层次平衡不但没有牵制其情感宣泄，反而划出更强力而清晰的旋律弧线，实在令人叹服。


Editorial Reviews:
    - 8CD set - Romantic-era piano repertoire with a Chopin focus - Witold Malcuzynski eschewed rubato and the romantic tendency to waywardness for rhythmic clarity and precision in phrasing - Long unavailable recordings make this pianist's work ripe for rediscovery.


Track Listings

Disc 1

Chopin Waltzes
01?No. 1 in E flat major Op. 18 ('Grande Valse brillante'): Waltzes
02?No. 2 in A flat major Op. 34 No. 1 ('Valse brillante'): Waltzes
03?No. 3 in A minor Op. 34 No. 2: Waltzes
04?No. 4 in F major Op. 34 No. 3 ('Valse brillante'): Waltzes
05?No. 5 in A flat major Op. 42 ('Grande Valse'): Waltzes
06?No. 6 in D flat major Op. 64 No. 1: Waltzes
07?No. 7 in C sharp minor Op. 64 No. 2: Waltzes
08?No. 8 in A flat major Op. 64 No. 3: Waltzes
09?No. 9 in A flat major Op. 69 No. 1: Waltzes
10?No. 10 in E minor Op. 69 No. 2: Waltzes
11?No. 11 in G flat major Op. 70 No. 1: Waltzes
12?No. 12 in F minor Op. 70 No. 2: Waltzes
13?No. 13 in D flat major Op 70 No. 3: Waltzes
14?No. 14 in E minor Op. posth: Waltzes

Chopin Piano Sonata No.3 in B minor Op. 58
15?I.       Allegro maestoso: Sonata for Piano No. 3 in B minor Op. 58
16?II.      Scherzo (molto vivace): Sonata for Piano No. 3 in B minor Op. 58
17?III.     Largo: Sonata for Piano No. 3 in B minor Op. 58
18?IV.    Finale (presto, ma non tanto): Sonata for Piano No. 3 in B minor Op. 58


Disc 2

Chopin Mazurkas
01?B flat, Op. 7/1 (1831): Mazurkas
02?F minor, Op. 7/3 (1831): Mazurkas
03?C, Op. 24/2 (1834-35): Mazurkas
04?B flat minor, Op. 24/4 (1834-35): Mazurkas
05?D flat, Op. 30/3 (1836-37): Mazurkas
06?C sharp minor, Op. 30/4 (1836-37): Mazurkas
07?G sharp minor, Op. 33/1 (1837-38): Mazurkas
08?D, Op. 33/2 (1837-38): Mazurkas
09?B minor, Op. 33/4 (1837-38): Mazurkas
10?E minor, Op. 41/2 (1838-40): Mazurkas
11?C sharp minor, Op. 50/3 (1842): Mazurkas
12?C sharp minor, Op. 63/3 (1846): Mazurkas
13?A minor, Op. 67/4 (1846): Mazurkas
14?A minor, Op. 68/2 (1827): Mazurkas
15?F minor, Op. 68/4 (1849): Mazurkas

Chopin Concerto for Piano and Orchestra No. 2 in F minor Op. 21
16?I.       Maestoso: Concerto for Piano and Orchestra No. 2 in F minor Op. 21
17?II.      Larghetto: Concerto for Piano and Orchestra No. 2 in F minor Op. 21
18?III.     Allegro vivace: Concerto for Piano and Orchestra No. 2 in F minor Op. 21
     by Walter Susskind

Disc 3

Chopin Polonaises pour Piano
01?No. 1 in C Sharp Minor, Op.26 No. 1: Polonaises pour Piano
02?No. 2 in E Flat Minor, Op.26 No. 2: Polonaises pour Piano
03?No. 3 in A Major, Op.40 No. 1 'Military': Polonaises pour Piano
04?No. 4 in C Minor, Op.40 No. 2: Polonaises pour Piano
05?No. 5 in F Sharp Minor, Op.44: Polonaises pour Piano
06?No. 6 in A Flat Major, Op.53 'Heroic': Polonaises pour Piano

Chopin Piano Sonata No. 2 in B minor
07?I. Grave - Doppio movimento: Piano Sonata No. 2 in B minor
08?II. Scherzo: Piano Sonata No. 2 in B minor
09?III. Marche funèbre: Lento: Piano Sonata No. 2 in B minor
10?IV. Finale: Presto: Piano Sonata No. 2 in B minor


Disc 4

01?Chopin  - Scherzo No. 2 in B flat minor Op.31
02?Scherzo No. 3 in C sharp minor Op. 39
03?Nocturne No. 5 in F sharp, Op. 15 No. 2
04?Nocturne No. 13 in C minor Op. 48 No. 1
05?Fantaisie in F minor Op. 49
06?No. 1 in G minor Op. 23: Ballades
07?No. 2 in F Op. 38: Ballades
08?No. 3 in A flat Op. 47: Ballades
09?: Ballades


Disc 5

Liszt Piano Concerto No. 2 in A
01?Adagio sostenuto assai -: Piano Concerto No. 2 in A
02?Allegro agitato assai -: Piano Concerto No. 2 in A
03?Allegro moderato: Piano Concerto No. 2 in A
04?Allegro deciso: Piano Concerto No. 2 in A
05?Marziale un poco meno allegro: Piano Concerto No. 2 in A
06?Allegro animato: Piano Concerto No. 2 in A
    by Philharmonia Orchestra / Walter S

Liszt Piano Sonata in B minor  
07?Lento assai - Allegro energico - Grandioso: Piano Sonata in B minor
08?Allegro energico - Recitativo: Piano Sonata in B minor
09?Andante sostenuto - Quasi adagio: Piano Sonata in B minor
10?Allegro energico (Fugue): Piano Sonata in B minor
11?(Recapitulation) - Più mosso - Stretta quasi presto: Piano Sonata in B minor
12?(Coda) Presto - Prestissimo - Andante sostenuto - Allegro moderato - Lento assai: Piano Sonata in B minor

13?Liszt Rapsodie espagnole in G minor


Disc 6

Tchaikovsky Piano Concerto No. 1 in B flat minor Op. 23
01?I. Allegro non troppo e molto maestoso - Allegro con spirito: Piano Concerto No. 1 in B flat minor Op. 23
02?II. Andantino semplice - Prestissimo - Tempo I: Piano Concerto No. 1 in B flat minor Op. 23?
03?III. Allegro con fuoco: Piano Concerto No. 1 in B flat minor Op. 23?
?   by Orchestre National de la Radiodiffusion Fran?aise

Rachmaninov Piano Concerto No. 3 in D minor?
04?I.    Allegro ma non tanto: Piano Concerto No. 3 in D minor?
05?II.   Intermezzo (Adagio): Piano Concerto No. 3 in D minor?
06?III.  Finale (Alla breve): Piano Concerto No. 3 in D minor?
    by Philharmonia Orchestra / Paul Kletzki / Witold Malcuzy

07?Rachmaninov Prélude in G Op. 32 No. 5
08?Rachmaninov Prélude in G sharp minor Op. 32 No, 12


Disc 7

Brahms Piano Concerto No. 1 in D minor Op. 15
01?I.       Maestoso: Piano Concerto No. 1 in D minor Op. 15?
02?II.      Adagio: Piano Concerto No. 1 in D minor Op. 15?
03?III.     Rondo (Allegro non troppo): Piano Concerto No. 1 in D minor Op. 15?
    by Philharmonia Orchestra / Fritz Rieger / Witold Malcuzy

Brahms Variations and Fugue on a Theme by Handel Op. 24
04?Aria: Variations and Fugue on a Theme by Handel Op. 24
05?Variation 1: Variations and Fugue on a Theme by Handel Op. 24
06?Variation 2: Variations and Fugue on a Theme by Handel Op. 24
07?Variation 3: Variations and Fugue on a Theme by Handel Op. 24
08?Variation 4: Variations and Fugue on a Theme by Handel Op. 24
09?Variation 5: Variations and Fugue on a Theme by Handel Op. 24
10?Variation 6: Variations and Fugue on a Theme by Handel Op. 24
11?Variation 7: Variations and Fugue on a Theme by Handel Op. 24
12?Variation 8: Variations and Fugue on a Theme by Handel Op. 24
13?Variation 9: Variations and Fugue on a Theme by Handel Op. 24
14?Variation 10: Variations and Fugue on a Theme by Handel Op. 24
15?Variation 11: Variations and Fugue on a Theme by Handel Op. 24
16?Variation 12: Variations and Fugue on a Theme by Handel Op. 24
17?Variation 13: Variations and Fugue on a Theme by Handel Op. 24
18?Variation 14: Variations and Fugue on a Theme by Handel Op. 24
19?Variation 15: Variations and Fugue on a Theme by Handel Op. 24
20?Variation 16: Variations and Fugue on a Theme by Handel Op. 24
21?Variation 17: Variations and Fugue on a Theme by Handel Op. 24
22?Variation 18: Variations and Fugue on a Theme by Handel Op. 24
23?Variation 19: Variations and Fugue on a Theme by Handel Op. 24
24?Variation 20: Variations and Fugue on a Theme by Handel Op. 24
25?Variation 21: Variations and Fugue on a Theme by Handel Op. 24
26?Variation 22: Variations and Fugue on a Theme by Handel Op. 24
27?Variation 23: Variations and Fugue on a Theme by Handel Op. 24
28?Variation 24: Variations and Fugue on a Theme by Handel Op. 24
29?Variation 25: Variations and Fugue on a Theme by Handel Op. 24
30?Fugue: Variations and Fugue on a Theme by Handel Op. 24


Disc 8

01?Bach - Fantasia: Chromatic Fantasia and Fugue in D minor BWV903
02?Bach - Fuga: Chromatic Fantasia and Fugue in D minor BWV903

Beethoven Piano Sonata No. 23 in F minor Op. 57 'Apassionata'
03?I. Allegro assai: Piano Sonata No. 23 in F minor Op. 57 'Apassionata'
04?II. Andante con moto: Piano Sonata No. 23 in F minor Op. 57 'Apassionata'
05?III. Allegro ma non troppo - Presto: Piano Sonata No. 23 in F minor Op. 57 'Apassionata'

Franck - Prélude, Chorale and Fugue
06?I. Prélude: Prélude, Chorale and Fugue
07?II. Chorale: Prélude, Chorale and Fugue
08?III. Fugue: Prélude, Chorale and Fugue

09?Debussy - La Cathédrale engloutie
10?Szymanowski - étude in B flat minor
11?Scriabin - étude in C sharp minor Op. 2 No. 1
13?Scriabin - étude in D sharp minor Op. 8 No. 12

14 rokofiev - March from 'Love of Three Oranges'

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Witold Malcuzynski is a great pianist and Master Musician.
ByPeter Dietrichon November 13, 2013

Before I write a rewiev, I would like to say few words about Witold Malcuzynski because he is virtually unknown to the younger generation of Amazon.COM customers.Witold Malcuzynski (1914-1977) was a distinguished Polish pianist who specialized in the works of Frederic Chopin(1810-1849).His playing was marked by passion and poetry. He began playing piano at the age of 5, starting regular lessons four years later.He studied at the Warsaw Conservatory under the guidance of Profesor Jozef Turczynski . In 1936 he received an invitation to study under Margaurite Long and Isidor Phillipin France. He won the third prize at the Third Chopin Piano Competition in 1937 . He was also introduced by Turczynski to Ignacy Jan Paderewski, who spoke very highly about his talent and gave him valuable instruction. The present anthology in the Icon Series was recorded by EMI between 1949-1963 . Despite half of it beeing recorded in mono, the whole Collection is in excellent Sound. The Chopin Sonatas, Polonaises, Mazurkas and Ballades are among the Best recordings available in their Genre. They are equall in artistic Value and Sound To the Best recordings of Rubinstein, Horowitz, Arrau and of any other great Pianist you can Name.His Recording of Brahms Piano Concerto is very dramatic, while his Liszt and Tchaikovsky performances shown him as a great romantic pianist. He is also very successful In the performance of the Third Piano Concerto of
Rachmaninov conducted by Paul Kletzki. It is impossible to believe that he was neglected and forgotten for such a long time, but that happened also to other once famous pianists like Brailowsky and Uninsky. We should be thankful to EMI that they finally decided to restore the excellent recordings of Witold Malcuzynski to American musical public,and Amazon.COM customers.
Very Highly Recommended.



享乐音乐论坛-为高品质无损音乐而生！享受音乐，分享快乐！尽在享乐音乐网。
专门提供古典音乐无损音乐格式下载，古典无损音乐合集资源打包下载，古典音乐打包下载的免费网站。
古典音乐打包免费下载网站，内容由网友分享仅供学习交流之用，版权归唱片公司所有，不可用于商业盈利用途，否则一切后果自行承担!

这个古典音乐得支持一下，真的很好听。

清风吹歌入空去,歌曲自绕行云飞。享乐音乐网。

非常好的一个系列，感谢分享！笑纳了！

动听的音乐就像是飞舞的蝴蝶在空中翩翩起舞，也像是叮咚的泉水在山间流淌。

太喜欢这个古典音乐专辑了,谢谢楼主分享.

想休息大脑了，可下一段旅程又将开始。音乐不愧为一条不归路哩。

不爱音乐不配作人。虽然爱音乐，也只能称半个人。只有对音乐倾倒的人，才可完全称作人。

我个人理解的摇滚是一种精神，他并不局限于某种音乐风格。

感情和气味是这么一种东西：它们犹如光之于太阳，音乐之于风。