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Eleni Karaindrou - Concert in Athens (2013)
海伦·卡兰德若 - 雅典音乐会
Concert in Athens
Eleni Karaindrou, Kim Kashkashian, Jan Garbarek, Vangelis Christopoulos
Composer: Eleni Karaindrou (b.1941) 艾莲妮·卡兰德若 / 艾莲妮·卡兰卓 / 海伦·卡兰德罗 / 海伦·卡兰德若
(https://www.ecmrecords.com/search-advanced/Eleni%20Karaindrou/)
Artists: Kim Kashkashian Viola 金·卡丝卡茜安 / 卡斯卡西安 / 卡什卡什扬, 中提琴
Jan Garbarek Tenor Saxophone 杨·葛柏瑞克, 降B次中音萨克斯管
Vangelis Christopoulos Oboe
Sergiu Nastasa Violin
Stella Gadedi Flute
Marie-Cécile Boulard Clarinet
Sonia Pisk Bassoon
Vangelis Skouras French Horn
Maria Bildea Harp
Dinos Hadjiiordanou Accordion
Aris Dimitriadis Mandolin
Eleni Karaindrou Piano
Orchestra: Camerata Orchestra / Camerata Friends of Music Orchestra
Conductor: Alexandros Myrat
date: 25.01.2013
ECM: Edition of Contemporary Music
A beautiful and exceptional live recording, Concert in Athens, is the tenth ECM release by Greek composer of music for stage and screen, Eleni Karaindrou. With Eleni herself on piano and the Camerata Friends of Music Orchestra, it incorporates moving performances by guests Kim Kashkashian and Jan Garbarek.
The US violist and the Norwegian saxophonist have each made important contributions to Karaindrou’s music in the past, Garbarek with his playing on the film-score for The Beekeeper (recorded on Music for Films, 8476092) and Kashkashian as the key musical protagonist of Ulysses’ Gaze (4491532). Themes from both those films are revisited on this album, amongst much that is new.
A primary emphasis is music written for theatre: the wide-reaching emotional scope of pieces for plays by Arthur Miller, Tennessee Williams and Edward Albee provides a wonderful context for bringing the guest musicians into contact with Eleni’s soloists, above all the brilliant oboist Vangelis Christopoulos. Recorded November 2010, with Manfred Eicher as producer, Concert in Athens gives perhaps the fullest picture of Eleni Karaindrou’s outstanding compositional creativity to date.
海伦·卡兰德若(Eleni Karaindrou)1941年出生于希腊中部一个偏僻的山村提切俄(Teichio)，日后音乐中的赞美诗和自然气象完全受益于童年的经历。
如果古希腊诗人荷马曾经创作音乐，它必然像这样：黑暗、神秘而富于沉思性，同时散发出红酒的醇香与海水的苦涩，悲凉与诗意并存，用毫无保留的热情去歌唱爱与失落。简而言之，这正如卡兰德若（Eleni Karaindrou）——我们这个时代最具说服力与表现力的希腊作曲家的音乐。
“不管我走到哪里，希腊不断的刺痛我。”
（Eleni Karaindrou）
〃兰德若，1941年生于希腊中部小山村提切俄(Teichio)，童年的美好记忆是她音乐的灵感来源，“风的呼唤声、雨在石板屋顶的敲击声，流淌的溪水、夜莺的歌唱，还有那雪的静谧；而每逢节日，从小山村广场上传出的笛声在山谷中幽幽的回响”她自己曾经这样回忆道。这种天籁以及相合于这种古老自然环境的希腊民族音乐构成了她作品的精神内核。1958年开始学习钢琴和乐理。1967年希腊政变后，她在巴黎受法国政府资助而研究民族音乐，同时她接触到了大量的爵士乐。爵士乐这种十分自由的音乐形式，使得卡兰德若的古典的音乐精魂完全是现代的呼吸，一颦一笑间回荡着当代希腊的精神震颤。1976年开始电影和舞台剧音乐创作，至今参与20余部电影和大量舞台剧的配乐。自1982年与希腊大导演安哲罗普洛斯合作,先后创作了《塞瑟岛之旅》(Voyage To Cythera, 1984)、《养蜂人》(The Beekeeper, 1986)、《雾中风景》(Landscape In The Mist, 1988)、《鹳鸟踟蹰》(The Suspended Step Of The Stork, 1991)、《尤里西斯的凝望》(Ulysses' Gaze, 1995)、《一生何求》(Eternity and a Day, 1998)及最新的《哭泣的草原》(The Weeping Meadow)等电影音乐，成为世界级电影配乐大师。
除了传说中发明笛子的半人半羊的希神“潘”和六十年代现代主义作曲家伊阿尼斯·泽纳基斯(Iannis Xenakis, 1922-2001)外，希腊真正提供给世界的杰出音乐家寥寥无几——尽管有范吉利斯(Evangelos Odysseas Papathanassiou, known professionally as Vangelis, b.1943)这样的电子先锋及一大批走红于国际舞台的新世纪(New Age)音乐家，在希腊人的眼里，却是卡兰德若将他们的祖国重新放回到世界音乐的版图中。在50多岁的时候，卡兰德若就已经被她的同胞们称为“第十缪斯”（"Tenth Muse"）。她的音乐植根于希腊的传统但却不拘泥于形式，借鉴了民谣、爵士和古典音乐，用希腊民间乐器和各种现代管弦乐器融合出一种独特的古老而近乎神秘的声音，但其精神却是现代主义的。
An exceptional live recording, “Concert In Athens”, the tenth ECM release by Greek composer Eleni Karaindrou, incorporates moving performances by guests Kim Kashkashian and Jan Garbarek. The US violist and the Norwegian saxophonist have each made important contributions to Karaindrou’s music in the past, Garbarek with his playing on the film-score for The Beekeeper (see “Music for Films”) and Kashkashian as the key musical protagonist of “Ulysses’ Gaze”. Themes of both those films are revisited here, amongst much that is new. A primary emphasis is music written for theatre: the wide-reaching emotional scope of pieces for plays by Arthur Miller, Tennesee Williams and Edward Albee provides a wonderful context for bringing the guest musicians into contact with Eleni’s soloists, above all the brilliant oboist Vangelis Christopoulos. Recorded November 2010, with Manfred Eicher as producer, “Concert in Athens” gives us perhaps the fullest picture of Eleni Karaindrou’s compositional creativity to date.
Background
“Each of my compositions seems to be part of a mosaic which takes on its ultimate form very slowly through the years”, Eleni Karaindrou once said, and the larger picture becomes both clearer and more finely-detailed with each new album. Concert in Athens is her tenth release on ECM. It is an exceptional documentation of a performance from 2010, marking a triumphant return to the Athens Concert Hall, the setting for the “Elegy of the Uprooting” shows five years earlier.
A new programme offers new insights, particularly when participating friends include guest soloists Jan Garbarek and Kim Kashkashian, both of whom have made major contributions to the realization of Karaindrou’s work in the past – Garbarek with his evocative playing of the themes for The Beekeeper (reprised on the album Music for Films) and Karaindrou as the key musical protagonist of Ulysses’ Gaze. Over the years both artists have periodically returned to join Eleni for special events. Ulysses’ Gaze and Beekeeper themes are reprised here, along with music from other films of the late Theo Angelopoulos - Dust of Time, Eternity and a day, Landscape in the Mist and Journey to Cythera, all of them revealing new facets as Kashkashian and Garbarek are featured alongside Eleni’s team of soloists (with oboist Vangelis Christopoulos especially striking). There is also much here that is new or heard on CD for the first time including compositions originally written for theatre productions directed by Antonis Antypas including Who’s afraid of Virginia Woolf? by Edward Albee, The Glass Menagerie by Tennessee Williams as well as Jules Dassin’s production of Arthur Miller’s Death of a Salesman. The differing demands of the theatre music open up a new emotional range for the soloists to explore. Eleni: “I sought to share with them memories from past and more recent voyages in the worlds of theatre and poetry. With Jan I plunged deep into the fascination and torment of Arthur Miller, of Edward Albee and Tennessee Williams...” The album opens and closes with Garbarek’s intensely brooding saxophone, accompanied by Karaindrou’s piano and the string orchestra, playing the “Requiem for Willie Loman” from Death of a Salesman. Meanwhile, “Kim’s sturdy and sensitive bow swept us on a journey to Laur?’s fragile world in The Glass Menagerie, having first traversed the Closed Roads [one of several newly-arranged pieces of Karaindrou concert music] with all the passion and unmatched internal nobility which distinguish her work.” The scope of the music is further expanded with three charming miniatures inspired by M. Karagatsis’s novel “Number Ten , and written for the Greek television series of the same name.
Tracklist:
1. Requiem for Willy Loman (Death of a Salesman) 03:58
2. Eternity Theme (Eternity and a Day) 01:58
3. Closed Roads 05:36
4. Waiting (Number Ten) 02:07
5. Voyage (Voyage to Cythera) 02:10
6. Invocation (Who's Afraid of Virginia Woolf) 02:26
7. Tango of Love (Number Ten) 01:41
8. Tom's Theme (The Glass Menagerie) 01:35
9. Laura's Waltz (The Glass Menagerie) 03:22
10. Adagio (Landscape in the Mist) 03:49
11. After Memory 02:45
12. Farewell Theme (The Beekeeper) 04:27
13. Seeking Theme (Dust of Time) 02:18
14. Nostalgia Song (Number Ten) 02:26
15. Waltz of the Rain (Number Ten) 02:44
16. Adagio for Saxophone 02:48
17. Dance (Ulysses' Gaze) 03:54
18. Requiem for Willy Loman, var. (Death of a Salesman) 04:14
TT: 54’00
https://www.ecmrecords.com/
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