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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。
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古典音乐不但可以开发你的想象力，古典音乐还能提升你的艺术修养，最重要的是在当今浮躁的世界里，
唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后，才能从容不迫的面对世间一切纷扰，实现自我突破。
3无损音乐格式古典音乐冷门 - ECM玛丽亚之歌 - 民歌与巴赫音乐
Maria's Song - Folk songs and music of J.S.Bach (2009)
Sinikka Langeland, Lars Anders Tomter, K?re Nordstoga
西尼卡·朗厄兰德 - 玛丽亚之歌 - 民歌与巴赫音乐
Composers: Johann Sebastian Bach (1685-1750) 约翰·塞巴斯蒂安·巴赫
Sinikka Langeland (b.1961) 西尼卡·朗厄兰德 (http://www.sinikka.no/)
Traditional
Arranged by: Sinikka Langeland (b.1961) 西尼卡·朗厄兰德 (http://www.sinikka.no/)
Artists: Sinikka Langeland kantele, voice
Lars Anders Tomter viola
K?re Nordstoga organ
date: 02.11.2009
Background
Folk music is the centre of Sinikka Langeland’s work, but the Norwegian singer and kantele player takes the freedom to redefine “folk” with each of her successive projects. A distinctly non-traditional traditionalist, her ECM debut, “Starflowers” (2007), featured settings of the verse of lumberjack poet Hans B?rli powerfully embellished by the in-the-moment arrangements of a cast of jazz improvisers including Trygve Seim, Arve Henriksen and Anders Jormin.
“Maria’s Song” finds Langeland in the company of two distinguished classical musicians, and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of Johann Sebastian Bach, and drawing on the Gospel of St Luke for her images of the Holy Mother.
As Sinikka says in the liner notes: “Religious folk songs are among the most distinctive elements of Norwegian folk music, but the Virgin Mary is only represented with a few variants of the hymn ‘Maria hun er Jomfru ren’ (Mary is a virgin pure). The reason for this is obvious: she was ‘reformed’ away in 1537 along with a large number of beautiful church paintings and sculptures, and anyone who persisted in worshipping her risked harsh punishment. But the myth of the virgin Mary lives on in the Norwegian folk tradition in the form of nicknames for flowers and in the legends that are recounted in folksongs and sagas.”
On earlier recordings, “Stjerneklang” (Grappa, 2002), “P?sketona” (Nordic Sound, 2004), and “Kyriekoral” (Nordic Sound, 2005), Sinikka presented Christmas, Easter and Pentecostal hymns in Norwegian folk music settings, alongside Johann Sebastian Bach’s organ variations of the same hymns. “The idea of improvising on the shared melody in the Bach pieces, first arose when I was working on the Christmas hymns. K?re Nordstoga partnered her on “P?sketona” and “Kyriekoral”, which like the present disc were recorded in Trondheim’s Nidaros cathedral, world-famed for its rare Baroque organ, built by Johann Joachim Wagner in 1738.
Lars Anders Tomter brings another beautiful instrument into play, his Gasparo de Salò viola from 1590. Between viola and organ, Sinikkka’s kantele, the 15 string Finnish table harp, instrument of the Northern bards, finds its space. “When we played our way through time”, says Sinnika, “the Nidaros Cathedral reflected the spiritual currents of a thousand years.”
Reviews:
“By sheer force of musical personality and conviction, Langeland establishes herself as the central character in this existential tableau. Her voice is mesmerising, her command of pitch and medieval Norse performing practices sure...One can't help feeling the composer would have approved.”
------Gramophone Magazine, January 2011
“This collection of Norwegian folk songs devoted to the Virgin Mary is another unexpected gem from ECM...The sound of the violin chaconne played on viola and transposed to a darker G minor, interwoven with Langeland improvising a keening, open-throated Ave Maria, proves strangely persuasive.”
------The Observer, 18th June 2010
Sinikka Langeland (b.1961) 西尼卡·朗厄兰德
Sinikka Langeland (born 13 January 1961 in Grue, Norway) is a Norwegian traditional folk singer and musician (kantele), known for combining traditional music with elements of jazz.
“The way I use my voice has been influenced most strongly by Norwegian folk singing. Singing cow calls can actually be as challenging technically as singing an opera aria.”
Sinikka Langeland was born in Kirken?r in southeastern Norway in 1961, and studied piano, guitar and contemporary folksong. In 1981 she discovered the kantele (traditional 39-string dulcimer), which would become her main musical instrument along with the voice. She has said: “My Karelian mother told me about the instrument when I was a child, and one day we went to Finland to find one for me. I had not heard it before I got one. First I played just for fun, but after a while I felt a real sense of bonding with the instrument.” The sound-world conjured up by Langeland’s canteles seems to carry archaic echoes older than ‘folk’ tradition.
After studies in Paris and Olso, she became absorbed in a research project to sift through archives of old songs and music from Finnskogen and expand her “folk” repertoire to include rune songs, incantations, and old melodies from Finland and Karelia, as well as medieval ballads and religious songs. Langeland’s songs often focus on the relationship between people and nature.
She recorded her first solo CD in 1994, and made her ECM debut in 2007 with Starflowers:“There are jewels everywhere on this arresting example of ego-free music-making,” enthused the Irish Times. She followed this up with Maria’s Song, in the company of two distinguished classical musicians – organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter – interweaving folk melodies with the timeless strains of J S Bach. The Land that is Not is, like Starflowers, a quintet album, which in this case draws its inspirations from poets Edith S?dergran (1892–1923) and Olav H?konson Hauge (1908–94).
Langeland’s 2015 album,The Half-Finished Heaven, is a suite of songs largely based around “the mystery and joy of everyday encounters with animals in the forest”. John Kelman described it as “an album of touching melancholy, haunting beauty and oftentimes completely unexpected flights of improvisational fancy from a quartet of simpatico players”.
In 2010 Sinikka Langeland received the Rolf Gammleng Prize and in 2012 the Sibelius Prize.
Track list:
1. Lova lova Lina (Traditional) 00:50
2. Meine Seele erhebet den Herren, BWV 648 (Johann Sebastian Bach) 02:32
3. Ave Maria (Olea Pedersdatter J?lstad) 05:00
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
4. Prélude 02:17
5. The angel Gabriel greets Mary (Olea Pedersdatter J?lstad) 01:20
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
6. Allemande 03:34
7. But the angel said to her (Olea Pedersdatter J?lstad) 01:01
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
8. Courante 02:32
9. He will be great (Sinikka Langeland) 01:07
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
10. Sarabande 02:35
11. Mary asked the angel (P. C. Astrup) 01:28
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
12. Menuet I & II 03:01
13. Even Elizabeth (Sinikka Langeland) 00:58
Johann Sebastian Bach - Suite No. 1 in G major, BWV 1007
14. Gigue 01:27
15. Vom Himmel kam der Engel Schar, BWV 607 / I am the Lord's servant (Johann Sebastian Bach) 01:17
16. Lova lova Lina (Traditional) 03:38
17. Fuga sopra il Magnificat, BWV 733 (Johann Sebastian Bach) 05:10
18. Mary visits Elizabeth (Traditional) 00:54
19. Kantele (Public Domain) 00:58
Johann Sebastian Bach - Concerto in d minor, BWV 596
20. I. (without tempo indication) / She was filled with the Holy Spirit 01:00
21. Blessed is she who has believed (Sinikka Langeland) 00:22
Johann Sebastian Bach - Concerto in d minor, BWV 596
22. II. Fuga 04:07
23. Song of Mary (Traditional) 02:19
24. Kantele (Public Domain) 00:53
Johann Sebastian Bach - Concerto in d minor, BWV 596
25. III. Largo e spiccato / His mercy extends to those who fear him 02:58
26. IV. (without tempo indication) 03:31
27. Kyrie (Traditional) 02:05
Johann Sebastian Bach - Partita No. 2 in d minor, BWV 1004
28. Chaconne / Ave Maria 13:04
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