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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。
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古典音乐不但可以开发你的想象力，古典音乐还能提升你的艺术修养，最重要的是在当今浮躁的世界里，
唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后，才能从容不迫的面对世间一切纷扰，实现自我突破。
5无损音乐格式古典音乐冷门 - Cpo阿尔夫特(1905-1989) 交响作品
Halffter, Ernesto - Symphonic Works - Suh, RSO Frankfurt, Tang (1998) [FLAC] (cpo 999 493-2)
Ernesto Halffter: Rapsodia Portuguesa, Deux Esquisses Symphoniques, Sinfonietta in D (1998)
Composer: Ernesto Halffter (1905-1989) 埃内斯托·阿尔夫特
Artists: Ju Hee Suh, Piano
Alejandro Rutkauskas, Violin
Peter Wolf, Violoncello
Boguslaw Furtok, Double Bass
Orchestra: Radio-Sinfonie-Orchester Frankfurt 法兰克福广播交响乐团
Conductor: Muhai Tang 汤沐海
Genre: Classical
Recording: 7-14 October 1996, HR-Sendesaal Ffm
Label: CPO
# cpo 999 493-2
Year: 1998
A devoted disciple of Falla, Ernesto Halffter (less avant-garde a composer than his older brother Rodolfo or his more famous nephew Cristobal) gave up so much of his time and energy to the colossal task of making sense of, and completing, his mentor’s Atlantida that his own output remained modest, consisting chiefly of a chamber opera, ballets, concertos for violin and for guitar, and a handful of other works. The first of his Esquisses symphoniques (written before he was 20), the exuberant “Chanson du lanternier”, is heavily indebted to early Stravinsky: more individual (though with Debussian overtones) and very impressive both for its orchestral writing and its eloquence, is the second, “Paysage mort”. But it was his sizeable Sinfonietta, completed shortly afterwards in 1925, which really attracted attention at home and abroad. There have been three or four previous recordings of it (including the very last recording – on Spanish Columbia – made by the conductor Ataulfo Argenta), but none are currently in the catalogue. Its first movement contains conspicuous resemblances to Falla’s Harpsichord Concerto (written at the same time), and the finale is again pertly Stravinskian: as a whole the work is blithe-spirited and neo-classical, very lucid and with great charm – a piece well worth a place in the repertoire; and it here receives a warmly sympathetic performance. But CPO are wrong to bill it as having only three soloists; and they also contradict themselves about the dates both of this and of the Rapsodia Portuguesa. This effectively ear-tickling piece, composed about 15 years later on Portuguese folk themes, provides a vehicle for brilliant and delicately sensitive playing by Ju Hee Suh (once a Leeds Competition winner at the age of 16 and since then a world-travelling soloist).
Review by Lionel Salter, Gramophone
Tracklist:
01. Rapsodia Portuguesa for piano and orchestra (1939) (16:45)
Deux Esquisses Symphoniques (1922-1925)
02. La Chanson du Lanternier (03:15)
03. Paysage Mort (06:55)
Sinfonietta in D (1925)
for violin, violoncello, double bass, and orchestra
04. I. Pastorela (10:21)
05. II. Adagio (09:44)
06. III. Minuetto (05:48)
07. IV. Allegro giocoso (08:42)
Time: 01:01:32
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