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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。
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古典音乐不但可以开发你的想象力，古典音乐还能提升你的艺术修养，最重要的是在当今浮躁的世界里，
唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后，才能从容不迫的面对世间一切纷扰，实现自我突破。
5冷门 -Naxos魏因贝格(1919-1996) 第18交响曲,小号协奏曲
Composer(s): Mieczyslaw Weinberg (1919-1996) 梅谢斯拉夫·魏因贝格
Lyricist(s): Sergey Orlov; Traditional; Aleksandr Trifonovich Tvardovsky
Conductor(s): Vladimir Lande 弗拉基米尔·兰德
Orchestra(s): St. Petersburg State Symphony Orchestra 圣彼得堡国立交响乐团
Choir(s): St. Petersburg Chamber Choir 圣彼得堡室内合唱团
Artist(s): Andrew Balio ; Vladimir Dobrovolsky ; Tatyana Perevyazkina ; Zahar Shikunov ; Ekaterina Shikunova
Label: Naxos
Genre: Choral - Secular; Concertos
Period: 20th Century
Catalogue No: 8.573190 (http://www.naxos.com/catalogue/item.asp?item_code=8.573190)
Physical Release: 05/2014
魏因贝格的第17、18、19、21交响曲都是反战主题，第21交响曲还题献给华沙大屠杀的死难者。魏因贝格表白说这不是自己的选择而是命运和家庭悲剧带来的，自己有道德责任去谱写战争。博格莫洛夫(Bogomolov)的小说对魏因贝格触动很大。
魏因贝格的第17、18、19交响曲组成的“战争三连篇”延续了现实主义路线，而之前的第16交响曲和之后的第20交响曲更抽象。“战争三连篇”的总标题是《已经穿过战争的门槛》或者叫《已经在战争中幸存》。第17交响曲《回忆》和第19交响曲《明亮的五月》都在题头引用了阿赫玛托娃(Akhmatova)的诗，当时正值苏联社会重新认识到已故的阿赫玛托娃的艺术价值的热潮。第18交响曲是魏的第六部声乐交响曲。魏因贝格在歌剧《Madonna和士兵》的引子中有一句合唱唱词取自特瓦尔多夫斯基(Tvardovsky)的诗句“战争——没有更残酷的词汇了”，后来还把它用作第18交响曲的副标题。
Mieczys?aw Weinberg’s Eighteenth Symphony is the centrepiece of his symphonic trilogy On the Threshold of War, which focusses on the traumas of the Soviet Union in World War II and stands as one of the most significant creations of his later years. Using texts by important Soviet poets, the work reflects on war with eloquent expressive power. The Trumpet Concerto is amongst Weinberg’s most substantial and diverse works from the 1960s. Ranging in effects from pointillist modernism to the grotesque and sardonic, it was described by Shostakovich as a ‘symphony for trumpet and orchestra’.
VLADIMIR LANDE 弗拉基米尔·兰德 http://vladimirlande.com/
Vladimir Lande is principal guest conductor of the St Petersburg State Symphony Orchestra (Russia). He is guest conductor of the National Gallery Orchestra, Washington DC, music director of the Washington Soloists Chamber Orchestra, the COSMIC Symphony Orchestra, and Johns Hopkins University Chamber Orchestra. He appears as conductor with ballet and opera companies in Europe and the United States. In summer 2004, he conducted the opening concert of St Petersburg’s White Nights Festival. Since then, he has led notable orchestras in the United States, conducted the National Gallery Chamber Orchestra on an American tour, and served as conductor of the 64th American Music Festival. Recent tours have taken him to New Zealand, Australia, the United Kingdom, Italy and Russia. In October 2011 he led the St Petersburg Symphony Orchestra on their tour of the United States, Mexico and South America, and was made associate conductor in 2012. In addition to his busy conducting schedule, Vladimir Lande maintains a successful solo and chamber music career as oboist of the renowned Poulenc Trio. Recordings include those on the Marquis, Arabesque, Kleos, and Naxos labels.
Tracks:
Trumpet Concerto in B-Flat Major, Op. 94 降B大调第一小号协奏曲
01. I. Etudes [0:09:08.47] 练习曲
02. II. Episodes [0:10:38.29] 片段
03. III. Fanfares [0:06:20.39] 号角齐鸣
Symphony No. 18, Op. 138, "War - there is no word more cruel" 第18交响曲"战争 - 没有更残酷的词汇了"
04. I. Adagio. Allegro - [0:15:26.19] 慢板，快板
05. II. He was buried in the Earth - [0:12:35.74] 他葬在大地
06. III. My dear little berry, you do not know the pain that is in my heart - [0:12:03.29] 我亲爱的小浆果，你不知道我心中的痛
07. IV. War - there is no word more cruel [0:04:10.56] 战争 - 没有更残酷的词汇了
Total Playing Time: 70'26
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