[无损音乐格式] 3冷门舒曼18101856 爱与失之歌古典音乐打包下载

发表于 2017-1-9 16:31:11

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古典音乐最大的作用就在于能够引人向上，给予灵魂平静和美好。
而且古典音乐还有着深刻思想的内容，无与伦比精致的技术结构，最经得起时间考验的华丽与高雅。

无损音乐下载类型：古典音乐打包下载，无损古典音乐专辑免费下载。
古典音乐不但可以开发你的想象力，古典音乐还能提升你的艺术修养，最重要的是在当今浮躁的世界里，
唯有古典音乐能还你一颗平静的心。当你内心真正平静下来了以后，才能从容不迫的面对世间一切纷扰，实现自我突破。

3冷门 -Chandos舒曼(1810-1856) 爱与失之歌

Sarah Connolly, Eugene Asti - Schumann: Songs Of Love & Loss (2008)

Composer: Robert Schumann (1810-1856)
Performer: Sarah Connolly mezzo-soprano, Eugene Asti piano
Genre: Classical
Label: Chandos CD available From: 01 October 2008
Recorded in: Potton Hall Studio, Westleton, Suffolk, 12-14 December 2007

The British mezzo-soprano Sarah Connolly, twice nominated for a Grammy, here performs a collection of songs by Robert Schumann, which combines two song cycles from the extremely prolific song year 1840 with several songs from the composer’s last years. She is accompanied by Eugene Asti.

Sarah Connolly fell in love with Schumann’s songs in her youth. She has sung them since her early days as a performer and in the booklet she and Eugene Asti write, ‘at the heart of Schumann’s music on this recording lie a profound melancholy and a personal and completely honest, open-hearted empathy for the poetry, which is totally disarming. All the stories and situations depicted in these songs were so much a part of the composer’s own life experience that we just cannot help but be touched and moved by them. Perhaps it is for these reasons that our love for Schumann is especially great, and we feel privileged to be able to share this extraordinary music with you’.

It is often claimed that Schumann’s late songs, which include the first seven on this CD, show a composer in decline – a charge that is refuted by such wonderful Lieder as the Wilhelm Meister settings and ‘Nachtlied’ (Goethe), ‘Der Einsiedler’ (Eichendorff), ‘Aufträge’ (L’Egru), ‘Mein schöner Stern!’ (Rückert), ‘Requiem’ (Dreves), the Lenau settings of Op. 90 and the Gedichte der Königin Maria Stuart, all of which are as fine as anything Schumann wrote in 1840, his great ‘song’ year.

The album’s key work is the rarely recorded Gedichte der Königin Maria Stuart, songs on five poems attributed to Mary, Queen of Scots. They were his last Lieder and the most austere that Schumann ever wrote. He composed the set in 1852 during a period of deep depression and offered the work as a Christmas present to his wife, Clara. It is also matched here by ‘Requiem’, setting a translation by Leberecht Blücher Dreves of an old sacred Latin text. This requiem, from Op. 90, was one of four that Schumann composed in the last years of his creative life, and it seems likely that the proliferation of such settings around 1850 had symbolic import – ‘requiems, after all, are written for oneself’, as Schumann once confided to a friend.

Tracklisting:

1 Mein schoner Stern!, Op. 101 No. 4 2:44
from Minnespiel aus Rückerts Liebesfrühling
Langsam

Gedichte der Konigin Maria Stuart, Op. 135 9:43
2 I Abschied von Frankreich. Ziemlich langsam 1:52
3 II Nach der Geburt ihres Sohnes. Langsam 1:35
4 III An die Königin Elisabeth. Leidenschaftlich 1:32
5 IV Abschied von der Welt. Langsam 2:59
6 V Gebet. 1:41

7 Requiem, Op. 90 No. 7 4:07
(Altkatholisches Gedicht)
from Sechs Gedichte von Nikolaus Lenau und Requiem
Langsam - Nach und nach belebter - Erstes Tempo

Liederkreis, Op. 39 25:29
(Joseph von Eichendorff)
8 I In der Fremde. Nicht schnell 2:06
9 II Intermezzo. Langsam - Nach und nach schneller und schneller - 1:43
10 III Waldesgespräch. Ziemlich rasch 2:18
11 IV Die Stille. Nicht schnell, immer sehr leise - Etwas lebhafter - Erstes Tempo 1:33
12 V Mondnacht. Zart, heimliche 3:58
13 VI Schöne Fremde. Innig, bewegt 1:19
14 VII Auf einer Burg. Adagio 2:40
15 VIII In der Fremde. Zart, heimlich 1:21
16 IX Wehmut. Sehr langsam 2:41
17 X Zwielicht. Langsam 2:52
18 XI In Walde. Ziemlich lebendig 1:16
19 XII Frühlingsnacht. Ziemlich rasch 1:32

Frauenliebe und -leben, Op. 42 23:54
(Acht Lieder nach Adelbert von Chamisso)
Oswald Lorenz gewidmet
20 I Seit ich ihn gesehen. Larghetto 2:29
21 II Er, der Herrlichste von allen. Innig, lebhaft 3:57
22 III Ich kann's nicht fassen, nicht glauben. Mit Leidenschaft - Etwas langsamer - Adagio - 1:35
23 IV Du Ring an meinem Finger. Innig - Nach und nach rascher - 2:56
24 V Helft mir, ihr Schwestern. Ziemlich schnell 2:07
25 VI Süßer Freund, du blickest. Langsam, mit innigem Ausdruck - Lebhafter - Adagio 4:56
26 VII An meinem Herzen, an meiner Brust. Fröhlich, innig - Schneller - Noch schneller - Langsamer 1:35
27 VIII Nun hast du mir den ersten Schmerz getan. Adagio - - Adagio. Tempo wie das erste Lied 4:14

TT: 65:58

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