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[Hi-Res古典音乐] 皮雷斯钢琴演奏HiRes音源《贝多芬第三、第四钢琴协奏曲索尼精选Hi-Res》Beethoven Piano Concertos Nos. 3 & 4 HiRes 最强音质古典无损音乐打包下载[HiRes/24Bit/96kHz]

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瑞典广播交响乐团演奏 - 贝多芬: 第三,第四钢琴协奏曲 (瑞典广播交响乐团)[HiRes/24Bit/96kHz]
Beethoven Hi-Res Beethoven Piano Concertos Nos. 3 & 4 HiRes[HiRes/24Bit/96kHz]
贝多芬第三,第四钢琴协奏曲 Beethoven The Lossless Classical Hires Album[24/96]
专辑名:贝多芬第三,第四钢琴协奏曲(Beethoven Piano Concertos Nos. 3 & 4  HiRes)
表演者:Beethoven /Maria Joao Pires / 瑞典广播交响乐团
专辑类型: 古典音乐高解析度HIRES专辑  
发行时间: 2016-09-08
唱片公司: 索尼精选音乐/Sony Classical
无损音乐验证:HiRes音源百分百保真
详细参数:Hi-Res | FLAC | 96kHz/24bit
数据存储: 百度云加密存储|已备份|永久有效
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Beethoven Sony HiRes 古典音乐索尼精选《 Beethoven Piano Concertos Nos. 3 & 4 HiRes Music》[HiRes/24Bit/96kHz]@享乐音乐网 xlebbs.com

★留声机杂誌2015年「最佳协奏曲」大奖、2014年12月「编辑严选推荐盘Editor's Choice」:完全不令人意外,她在伦敦和其他地方对於此曲(第四号)的许多演出能够成為传奇。我最真挚的希望是她能将五首全部录完。
★独立乐评「MusicWeb International」2014年12月推荐:聆听本辑令人振奋且充满啟发性,让我们期待(皮耶丝)更多的录音。
★Classical Music杂誌五颗星最高评价

本辑简介:
1944年出生於葡萄亚首都里斯本的女钢琴家皮耶斯,1970年在布鲁塞尔国际贝多芬钢琴大赛中夺魁崛起,并以莫札特的协奏曲与奏鸣曲展开一系列录音。她的演奏生涯曾因病中断数年,1984年復出,1987年首度和指挥阿巴多合作,之后开始和小提琴家杜梅(Augustin Dumay)搭档,巡迴世界各地演奏。
综观皮耶丝的录音,以独奏与室内乐為主,在协奏曲方面除了莫札特之外,也只有萧邦、舒曼等浪漫派作品。至於贝多芬的协奏曲,一直是她个人喜爱且时常演奏的曲目,但之前却不曾录音。本辑是她生涯首度贝多芬协奏曲录音,发行之后如秋风扫落叶般大获乐评青睞,更一举拿下2015年留声机杂誌「最佳协奏曲」大奖。这其实并不令人意外,皮耶丝擅长的旋律营造与优美句法,在这两首协奏曲中可说是发挥得淋漓尽致。轻盈柔美的琴韵中却有著强韧的张力,整体音乐在乐团衬托下不时展现出澎湃的气势,慢板乐章的深刻情感更令人感动。一如留声机杂誌乐评所言,皮耶丝的贝多芬钢琴协奏曲全集令人期待。
除了作為一位杰出的钢琴家,皮耶丝更於1999年在葡萄牙、西班牙边界卡斯提洛‧布朗科(Castelo Branco)附近成立一个国际艺术中心「Project Belgais-Centre for the Study of Arts」,帮助社会地位与经济状况不佳的小孩,提携后进。2006年因葡萄牙当局的不支持而感到失望,愤而移居巴西。(ONYX/Lins)

皮雷斯Maria-Joao Pires (1944- )葡萄牙女钢琴家。4岁首次登台,6岁举行独奏会,被称为神童,9岁参加里斯本国际钢琴比赛获第一名,16岁在里斯本音乐学院毕业后在柏林参加国际青年钢琴比赛获第二名,同年在李斯特钢琴比赛获第一名。随后到慕尼黑留学,师从恩格尔继续深造。皮雷斯的演奏,音色极美,又善于在节奏与分句处理上表现出细微的变化。

曲目:
1-3. 贝多芬:c小调第三号钢琴协奏曲Op.37
4-6. 贝多芬:G大调第四号钢琴协奏曲Op.58

钢琴:皮耶丝Maria Joao Pires
指挥:哈汀Daniel Harding
乐团:瑞典广播交响乐团Swedish Radio Symphony Orchestra
录音:2014年

Product Description
On her debut release for Onyx, the great pianist Maria Joao Pires performs two Beethoven concertos she has played often, but never before recorded. After giving concerts in Stockholm last October, she went directly into the studio with Daniel Harding and the Swedish Radio Symphony Orchestra, and this remarkable recording is the result. These are performances of such passion, poetry and drama - Beethoven as he should sound, just as if you are hearing these great concertos for the first time. In the booklet, Pires has provided a personal note on her approach to these works.

Review
GRAMOPHONE AWARD: Best Concerto

extremely beautiful … striking insights
-- The Guardian

This recording is clearly the work of a mature and intelligent artist with a clear interpretative vision for these concertos.
-- Fanfare

Her approach to Beethovens Third and Fourth Piano Concertos is infused with Mozartian purity...which she applies to profoundly personal expression. Her technique is crystalline, her tone opulent, her intent unambiguous, her ego absent. --Santa Fe New Mexican

The lovely, often grandly lit performances of these two Beethoven concertos celebrate the memory of Claudio Abbado. --4 Stars, Audiophile Audition

LUDWIG VAN BEETHOVEN - Piano Concertos 3 & 4 - Maria Joao Pires (Piano) - Swedish Radio Symphony Orchestra - Daniel Harding (Conductor) - 880040412526 - Released: August 2014 - Onyx Classics ONYX4125

One would assume by now that with the high number of good recordings of the Beethoven piano concertos already on the market, that any musician venturing down that road would do so driving a pimped out sports car, which in musical terms would mean resorting to flash rather than substance, and imposing their own idiosyncrasies and mannerisms (à la Nigel Kennedy) on the music, simply to garner some undeserved attention. Such is not the case with Portuguese pianist Maria Joao Pires. Building on her long and critically acclaimed list of recordings on the Erato and Deutsche Grammophon labels, she chose to drive down that road in a silver Rolls Royce. No flash, but class and substance in abundance. Simple and straighforward, but yet very effective.

Having read the liner notes which include Maria Joao Pires' deeply insightful perceptions on the subject of 'interpretation', I can certainly understand why she doesn't impose her will and personality on the music, but rather acts as the prism that filters the essence behind the music, and allows us to perceive all of its colors. After all, this is Beethoven's music. Everything is there. No need to elaborate or embellish required.

Take for example the Andante con moto movement from the Piano Concerto No. 4 in G, Op. 58, to me, one of the most enigmatic and mysterious bits of music in all of music. Many pianists and conductors have tried to elucidate on its profundity by stretching out its various lines and phrases in many directions, by weighing it down, by pondering on the ponderous, all to no avail. On the other hand Maria Joao Pires and conductor Daniel Harding allow the natural underlying rhythm of the music to move forward on its own momentum, and the emotional core of the subject matter to unfold without giving away too much. All of which makes the enigma even more profound.

From start to finish here, even in the heaviest passages, Pires' playing is always articulate and characterized by a delicate touch that constantly allows all the finer details to shine through. For example, that long descending and ascending run at the 2:30 mark of the final movement of No. 4, is remarkable for its clarity and dynamic consistency. Her many years of experience have engendered flawless music-making that is evident behind every note on this new recording. Daniel Harding and the Swedish Radio Symphony Orchestra can't help but respond in kind to her fluid phrasing and innate perception of the music, and provide the perfect support and counterweight at all times. This is the first recording for Maria Joao Pires on the Onyx label. Let's hope they've signed a deal for many more.

2015 Gramophone Award Winner.

Jean-Yves Duperron - September 2014


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Beethoven Hires:贝多芬第三,第四钢琴协奏曲音源 24/96索尼精选Hi-Res


Beethoven: Piano Concertos Nos. 3 & 4专辑歌曲
01.Ludwig van Beethoven: Piano Concerto No. 3 in C minor, Op. 37 - 1. Allegro con brio
02.Ludwig van Beethoven: Piano Concerto No. 3 in C minor, Op. 37 - 2. Largo
03.Ludwig van Beethoven: Piano Concerto No. 3 in C minor, Op. 37 - 3. Rondo. Allegro
04.Ludwig van Beethoven: Piano Concerto No. 4 in G major, Op. 58 - 1. Allegro moderato
05.Ludwig van Beethoven: Piano Concerto No. 4 in G major, Op. 58 - 2. Andante con moto
06.Ludwig van Beethoven: Piano Concerto No. 4 in G major, Op. 58 - 3. Rondo. Vivace




皮雷斯钢琴演奏高解析度音源《贝多芬第三,第四钢琴协奏曲索尼精选Hi-Res》Beethoven Piano Concertos Nos. 3 & 4 Hires[24/96]@享乐音乐网 xlebbs.com
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 01.Allegro con brio.flac
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 02.Largo.flac
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 03.Rondo. Allegro.flac
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 04.Allegro moderato.flac
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 05.Andante con moto.flac
│  │   贝多芬第三、第四钢琴协奏曲HiRes Beethoven Piano Concertos Nos. 3 & 4 24Bit/96kHz - 06.Rondo. Vivace.flac




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